Not on display

Hand Drum

18th century (made)
Artist/Maker
Place of origin

Music was an essential accompaniment to Noh theatre as it heightened the drama and theatricality of a performance. Small, portable hand drums (tsutsumi), such as this piece, were utilised by musicians, seated at the back of the stage, to direct and maintain the rhythm of a play. In Noh theatre the poetic text would be chanted with the drum beats heightening a stylised performance of dance, songs and mime. This small group of drummers would also be accompanied by a flutist creating a sound that was both refined and at times dramatic.

This drum's simplistic design in plain wood contrasts with the grander pieces of the Edo period (1615-1868) which were decorated with colourful lacquer compositions (as exemplified by the piece FE.126-2002). By the Edo period Noh theatre had transformed into a traditional ritual reserved for the entertainment of the upper elite. This drum's lack of decoration may have been due to its fine wooden patina and simple, uncomplicated form, all qualities that could have been deemed suitable for a ritualistic performance.

Object details

Category
Object type
Materials and techniques
Polished wood
Brief description
Hand drum [tsutsumi], for Noh theatre, of plain polished wood, Japanese, Edo period (18th century)
Physical description
Hand drum for Noh theatre, of plain polished wood.
Dimensions
  • Height: 25cm
  • Drum diameter: 10cm
Content description
music, noh
Credit line
Given by Masao Hirooka
Summary
Music was an essential accompaniment to Noh theatre as it heightened the drama and theatricality of a performance. Small, portable hand drums (tsutsumi), such as this piece, were utilised by musicians, seated at the back of the stage, to direct and maintain the rhythm of a play. In Noh theatre the poetic text would be chanted with the drum beats heightening a stylised performance of dance, songs and mime. This small group of drummers would also be accompanied by a flutist creating a sound that was both refined and at times dramatic.

This drum's simplistic design in plain wood contrasts with the grander pieces of the Edo period (1615-1868) which were decorated with colourful lacquer compositions (as exemplified by the piece FE.126-2002). By the Edo period Noh theatre had transformed into a traditional ritual reserved for the entertainment of the upper elite. This drum's lack of decoration may have been due to its fine wooden patina and simple, uncomplicated form, all qualities that could have been deemed suitable for a ritualistic performance.

Collection
Accession number
FE.125-2002

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdApril 7, 2004
Record URL
Download as: JSONIIIF Manifest