Die Leiden des jungen Werther
Saucer
ca. 1790 (made)
ca. 1790 (made)
Artist/Maker | |
Place of origin |
The serving of the fashionable hot drinks tea, coffee and chocolate was often the focal point of domestic social rituals in the eighteenth-century. Porcelain tea and coffee sets with matching trays (déjeuners) were made for one or two persons to serve themselves in private apartments. The design and elaboration of the decoration of the sets signalled their owner’s taste and wealth.
Tea and coffee were not served together at the same time, so the same saucers were often used with both tea and coffee cups. The design of tea cups evolved as the eighteenth century progressed, but tea cups were generally lower and more open in shape than coffee cups. However, it is clear from the records at Sèvres that in France at least certain shapes could be used interchangeably for coffee or tea.
This is one of a small number of tea and coffee sets very finely decorated with scenes from Goethe's hugely successful novel The Sorrows of Young Werther first published in 1774. It was made at the Meissen porcelain factory in 1789. All the known services have the same vessel shapes, and certain of the components are painted with the same subjects and scenes. Some of this decoration is after preliminary design drawings by Johann David Schubert (1761-1822), who worked as teacher of drawing at the factory's drawing school from 1786 and who became principal painter at the factory in 1795, and some of Schubert's designs were in turn copied from prints.
Tea and coffee were not served together at the same time, so the same saucers were often used with both tea and coffee cups. The design of tea cups evolved as the eighteenth century progressed, but tea cups were generally lower and more open in shape than coffee cups. However, it is clear from the records at Sèvres that in France at least certain shapes could be used interchangeably for coffee or tea.
This is one of a small number of tea and coffee sets very finely decorated with scenes from Goethe's hugely successful novel The Sorrows of Young Werther first published in 1774. It was made at the Meissen porcelain factory in 1789. All the known services have the same vessel shapes, and certain of the components are painted with the same subjects and scenes. Some of this decoration is after preliminary design drawings by Johann David Schubert (1761-1822), who worked as teacher of drawing at the factory's drawing school from 1786 and who became principal painter at the factory in 1795, and some of Schubert's designs were in turn copied from prints.
Object details
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Materials and techniques | Hard paste porcelain painted in enamel colours and gilt |
Brief description | Saucer from a breakfast service, porcelain painted in enamel colours with scenes from Goethe's Sorrows of Young Werther, and gilt; probably painted by Johann David Schubert, made by Meissen porcelain factory, Germany, ca. 1790 |
Physical description | Saucer for a tea cup, part of a breakfast service. Decorated with scenes in round or oval medallions from Die Leiden des jungen Werther [The Sorrows of Young Werther], a novel written in 1774 by Johann Wolfgang Goethe (1749-1832). |
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Gallery label |
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Object history | Part of a tea and coffee service (1328 to L-1871). |
Historical context | Goethe's novel, The Sorrows of Young Werther became a bestseller soon after its publication. The story parallels elements of Goethe's own experience. Werther falls in love with Lotte, a 19 year old who has already been engaged for four years to Albert, a man 11 years her senior. After failing to distance himself from Lotte and his futile love for her, Werther finally chooses suicide as his only release from his torment. |
Literary reference | Goethe, Johann Wolfgang. <font -u>Die Leiden des jungen Werther</font> [The Sorrows of Young Werther], 1774. |
Summary | The serving of the fashionable hot drinks tea, coffee and chocolate was often the focal point of domestic social rituals in the eighteenth-century. Porcelain tea and coffee sets with matching trays (déjeuners) were made for one or two persons to serve themselves in private apartments. The design and elaboration of the decoration of the sets signalled their owner’s taste and wealth. Tea and coffee were not served together at the same time, so the same saucers were often used with both tea and coffee cups. The design of tea cups evolved as the eighteenth century progressed, but tea cups were generally lower and more open in shape than coffee cups. However, it is clear from the records at Sèvres that in France at least certain shapes could be used interchangeably for coffee or tea. This is one of a small number of tea and coffee sets very finely decorated with scenes from Goethe's hugely successful novel The Sorrows of Young Werther first published in 1774. It was made at the Meissen porcelain factory in 1789. All the known services have the same vessel shapes, and certain of the components are painted with the same subjects and scenes. Some of this decoration is after preliminary design drawings by Johann David Schubert (1761-1822), who worked as teacher of drawing at the factory's drawing school from 1786 and who became principal painter at the factory in 1795, and some of Schubert's designs were in turn copied from prints. |
Bibliographic reference | Müller-Scherf, Angelika. <i>Wertherporzellan</i> Petersberg : Michale Imhof Verlag GmbH & Co., 2009 ISBN 9783865684592. This saucer is catalogue no. 7.10, p. 108 (see also p. 5). Lotte is shown playing the piano joyfully. The lovesick Werther meanwhile sits nearby, leaning on the piano, listening and looking down at her hands, while one of her little sisters stands leaning against his legs, holding a doll. The source for this scene is a French print, engraved by Morange after S. Amand. One coloured version in the collection of the Goethe Museum in Dusseldorf is catalogue no. 18, p. 127, illustrated p. 128 A different coloured version (reversed), engraved by F. Bartolozzi after Ramberg, also in Dusseldorf is catalogue no. 20, p. 130. It is entitled ‘Sorrows of Werther’ followed by a quotation from an English translation of the novel. ‘Today I was sitting by Charlotte; she was playing on her harpsichord with an expression it is impossible for me to discribe you. Her little sister was dressing her doll upon my lap; the tears came into my eyes. I leaned down and looked intently at her wedding ring; my tears fell. Immediately she began to play the favourite, the divine air wich has often enchanted me. I felt comforted by it. Vol. 2 page 93. London Pub.d April 21 1787. By Ia.s Bireball No. 473. Strand’ (sic)
The same scene is on a coffee cup in the Marie-Luise and Walter Hiemisch collection, see catalogue no. 10, pp. 119-120. It also figures on one of the saucers in the private collection service, 8.9, p. 117. The same scene is on a coffee cup in the Marie-Luise and Walter Hiemisch collection, see catalogue no. 10, pp. 119-120. It also figures on one of the saucers in the private collection service, 8.9, p. 117. |
Collection | |
Accession number | 1328G-1871 |
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Record created | April 7, 2004 |
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