Cup Hilt Rapier and Sheath thumbnail 1
Cup Hilt Rapier and Sheath thumbnail 2
Not on display

This object consists of 2 parts, some of which may be located elsewhere.

Cup Hilt Rapier and Sheath

ca. 1650 (made)
Artist/Maker
Place of origin

This sword was used in conjunction with a dagger also in the V&A's collection (M.124-1921). The rapier and dagger combination was primarily designed for self defence using fighting techniques developed in Italy that are the ancestors of modern fencing. The rapier was both a slashing and stabbing weapon. Its accompanying dagger was used in the left hand for parrying and stabbing in close. The stiff slender blades of both were designed to pierce clothing rather than armour. The intricately pierced cup protected the hand the uncovered civilian hand.

The rapier and dagger were also male fashion accessories worn at court, in procession and about town. They projected an image of honour based on social standing and, if necessary, defended the owner in one-on-one combat.

Object details

Categories
Object type
Parts
This object consists of 2 parts.
(Some alternative part names are also shown below)
  • Sheath
  • Sword
  • Rapier
  • Cup Hilt Rapier
Materials and techniques
Pierced and chiselled iron
Brief description
Cup hilt rapier and sheath, Italy (Naples), ca. 1650
Physical description
The hilt of pierced and chiselled iron, en suite with the dagger M.124-1921. The blade is inscribed 'ANTONIUS CILENTA DE NEAP FECIT'
Dimensions
  • Blade length: 98cm
  • Hilt length: 18cm
  • Sheath length: 101.8cm
  • Sheath width: 3.7cm
Marks and inscriptions
Inscribed 'Antonius Cilenta de Neap Fecit'
Translation
Antonio Cilenta of Naples made this
Credit line
Francis Mallett Bequest
Historical context
This dagger would have once been twinned with a rapier, a long sword with a slender blade and elaborate hilt. The rapier and dagger combination was primarily designed for self-defence using fighting techniques developed in Italy that are the ancestors of modern fencing. The sixteenth century rapier was both a slashing and stabbing weapon. Its accompanying dagger was used in the left hand for parrying and stabbing in close. The stiff slender blades of both were designed to pierce clothing rather than armour.

The rapier and dagger were also male fashion accessories worn at court, in procession and about town. They projected an image of honour based on social standing and, if necessary, defended the owner in one-on-one combat. The private duel was one consequence of the development of the rapier. In this sense, it is the epitome of the new sense of self fostered by the Renaissance. It was an emblem of personal vanity that settled disputes privately.

The conservative English defence expert, George Silver, felt a noble heritage of purpose-made war blades, clubs, flails and maces had been sacrificed at the altar of fashion as swords and daggers became faddish civilian accessories. ‘We like degenerate sonnes, have forsaken our forefathers vertues with their weapons.’

Some of the finest chiselled iron cup hilts in the Spanish fashion were produced by Italian craftsmen from the Kingdom of Naples, under Spanish rule in the mid 17th century. In their designs the Italian chisellers drew upon the common stock of engraved ornament of their time, but, interpreting their sources in a particularly individual manner, they created something that was quite fresh and original.
Summary
This sword was used in conjunction with a dagger also in the V&A's collection (M.124-1921). The rapier and dagger combination was primarily designed for self defence using fighting techniques developed in Italy that are the ancestors of modern fencing. The rapier was both a slashing and stabbing weapon. Its accompanying dagger was used in the left hand for parrying and stabbing in close. The stiff slender blades of both were designed to pierce clothing rather than armour. The intricately pierced cup protected the hand the uncovered civilian hand.

The rapier and dagger were also male fashion accessories worn at court, in procession and about town. They projected an image of honour based on social standing and, if necessary, defended the owner in one-on-one combat.
Associated object
M.124-1921 (Object)
Bibliographic references
  • Hayward, J.F. Swords and Daggers. London: HMSO, 1963, cat. 22
  • North, Anthony, An Introduction to European Swords, Victoria and Albert Museum, HMSO, London, 1982, ISBN 0 11 290378 9, cat. 22
Collection
Accession number
M.56&A-1947

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Record createdMarch 23, 2004
Record URL
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