Akbar
Painting
ca. 1590-95 (made)
ca. 1590-95 (made)
Artist/Maker | |
Place of origin |
This illustration depicts an attempt on the life of the Mughal emperor Akbar (r.1556–1605) at Delhi in 1564. Akbar is shown in white on horseback clutching an arrow. His retainers pursue the would-be assassins and kill one of them. The Mughal court artists Jagan, Bhawani Kalan and Madhav worked together on the painting.
The painting is from the Akbarnama (Book of Akbar), commissioned by Akbar as the official chronicle of his reign. The Akbarnama was written in Persian by his court historian and biographer, Abu’l Fazl, between 1590 and 1596, and the V&A’s partial copy of the manuscript is thought to have been illustrated between about 1592 and 1595. This is thought to be the earliest illustrated version of the text, and drew upon the expertise of some of the best royal artists of the time. Many of these are listed by Abu’l Fazl in the third volume of the text, the A’in-i Akbari, and some of these names appear in the V&A illustrations, written in red ink beneath the pictures, showing that this was a royal copy made for Akbar himself. After his death, the manuscript remained in the library of his son Jahangir, from whom it was inherited by Shah Jahan.
The V&A purchased the manuscript in 1896 from Frances Clarke, the widow of Major General John Clarke, who bought it in India while serving as Commissioner of Oudh between 1858 and 1862.
The painting is from the Akbarnama (Book of Akbar), commissioned by Akbar as the official chronicle of his reign. The Akbarnama was written in Persian by his court historian and biographer, Abu’l Fazl, between 1590 and 1596, and the V&A’s partial copy of the manuscript is thought to have been illustrated between about 1592 and 1595. This is thought to be the earliest illustrated version of the text, and drew upon the expertise of some of the best royal artists of the time. Many of these are listed by Abu’l Fazl in the third volume of the text, the A’in-i Akbari, and some of these names appear in the V&A illustrations, written in red ink beneath the pictures, showing that this was a royal copy made for Akbar himself. After his death, the manuscript remained in the library of his son Jahangir, from whom it was inherited by Shah Jahan.
The V&A purchased the manuscript in 1896 from Frances Clarke, the widow of Major General John Clarke, who bought it in India while serving as Commissioner of Oudh between 1858 and 1862.
Object details
Categories | |
Object type | |
Title | Akbar (generic title) |
Materials and techniques | Painted in opaque watercolour and gold on paper |
Brief description | Painting, Akbarnama, attempt to assassinate Akbar at Delhi, outline by Jagan, painting by Bhawani the Elder, portraits by Madhav, opaque watercolour and gold on paper, Mughal, ca.1590-95 |
Physical description | Painting, in opaque watercolour and gold on paper, this illustration depicts an attempt on the life of Akbar at Delhi. Akbar is shown on horseback clutching the arrow which was shot at him. His retainers pursue the would-be assassins. The image is overlaid by two bands of text extending from the left hand margin. |
Dimensions |
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Content description | An attempt on the life of Akbar at Delhi. Akbar is shown on horseback clutching the arrow which was shot at him. His retainers pursue the would-be assassins. |
Styles | |
Marks and inscriptions | (Contemporary librarian's attribution in Persian written beneath the image at the bottom of the page in red ink.)
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Gallery label |
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Credit line | Purchased from Mrs. Clarke, The Dingle, Sydenham Hill, S. E |
Object history | The Akbarnama, or "Book of Akbar", was commissioned by the emperor Akbar as the official chronicle of his reign. It was written by 1590 and 1596 and is thought to have been illustrated between ca. 1592 and 1594 by at least forty-nine different artists from Akbar's studio. After Akbar's death in 1605, the manuscript remained in the library of his son, Jahangir (r.1605-1627) and later Shah Jahan (r.1628-1658). The Victoria and Albert Museum purchased it in 1896 from Mrs. Frances Clarke, the widow of Major General John Clarke, an official who had been the Commissioner in Oudh province between 1858 and 1862. Historical significance: It is thought to be the first illustrated copy of the Akbarnama. It drew upon the expertise of some of the best royal painters of the time, many of whom receive special mention by Abu'l Fazl in the A'in-i-Akbari, the third volume of the Akbarnama. The inscriptions in red ink on the bottom of the paintings refer to the artists and indicate that this was a royal copy. Purchased from Mrs. Clarke, The Dingle, Sydenham Hill, S. E. This acquisition information reflects that found in the Museum records (Asia Department registers and/or Central Inventory) as part of a 2023 provenance research project. Registered Papers: 85488/95 |
Production | Composition by Jagan, painted by Bhawani Kalan, portraits by Madhav. |
Subjects depicted | |
Association | |
Literary reference | Akbarnama |
Summary | This illustration depicts an attempt on the life of the Mughal emperor Akbar (r.1556–1605) at Delhi in 1564. Akbar is shown in white on horseback clutching an arrow. His retainers pursue the would-be assassins and kill one of them. The Mughal court artists Jagan, Bhawani Kalan and Madhav worked together on the painting. The painting is from the Akbarnama (Book of Akbar), commissioned by Akbar as the official chronicle of his reign. The Akbarnama was written in Persian by his court historian and biographer, Abu’l Fazl, between 1590 and 1596, and the V&A’s partial copy of the manuscript is thought to have been illustrated between about 1592 and 1595. This is thought to be the earliest illustrated version of the text, and drew upon the expertise of some of the best royal artists of the time. Many of these are listed by Abu’l Fazl in the third volume of the text, the A’in-i Akbari, and some of these names appear in the V&A illustrations, written in red ink beneath the pictures, showing that this was a royal copy made for Akbar himself. After his death, the manuscript remained in the library of his son Jahangir, from whom it was inherited by Shah Jahan. The V&A purchased the manuscript in 1896 from Frances Clarke, the widow of Major General John Clarke, who bought it in India while serving as Commissioner of Oudh between 1858 and 1862. |
Bibliographic reference | Geeti Sen, Paintings from the Akbar-Nama. Lustre Press Pvt 1984, 80-3
Stronge, Susan. Painting for the Mughal Emperor: The Art of the Book 1560-1660, V&A Publications, 2002, pl. 31, p. 48.
The incident is described in Beveridge, vol. II, 313; Badaoni, tr. Lowe, II, 54-60. |
Other number | 113 - inscription/original number |
Collection | |
Accession number | IS.2:33-1896 |
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Record created | November 18, 1998 |
Record URL |
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