Not on display

Edward Augustus, Duke of Kent (1767-1820)

Relief
ca. 1800-1920 (made)
Artist/Maker
Place of origin

Edward, Duke of Kent is shown in relief facing to the right. Modelled in ivory-coloured wax on a black painted ground, he is depicted in middle age, bare-headed and with curly hair and sideburns. He wears a military uniform with tasselled epaulettes and a frilled shirt.

During the eighteenth and nineteenth centuries, low relief portraits in wax became popular in Britain and they were often exhibited at the Royal Academy, the Society of Artists and elsewhere. Waxes were used in a similar way to prints and medals, in order to disseminate the image of the sitter, or, like miniature paintings or silhouettes as portable mementoes. Wax was well suited to being cast and reproduced many times over from the same mould in order to propagate an image.

Object details

Categories
Object type
TitleEdward Augustus, Duke of Kent (1767-1820)
Materials and techniques
Wax in giltwood frame
Brief description
Relief, Wax, English, about 1800-1820
Physical description
The profile relief of the duke is shown dacing to the right. Modelled in ivory wax on a black painted ground, he is depicted in middle age, bareheaded and with curly hair and sideburns. He wears a naval unform with taslled paulettes and frilled shirt.
Dimensions
  • Framed height: 27.7cm
  • Framed width: 19.8cm
Credit line
From the Mary Bate collection.
Object history
From the Mary Bate Collection, ex. loan 116. Bought from Philip Bate for £120.
Subject depicted
Summary
Edward, Duke of Kent is shown in relief facing to the right. Modelled in ivory-coloured wax on a black painted ground, he is depicted in middle age, bare-headed and with curly hair and sideburns. He wears a military uniform with tasselled epaulettes and a frilled shirt.

During the eighteenth and nineteenth centuries, low relief portraits in wax became popular in Britain and they were often exhibited at the Royal Academy, the Society of Artists and elsewhere. Waxes were used in a similar way to prints and medals, in order to disseminate the image of the sitter, or, like miniature paintings or silhouettes as portable mementoes. Wax was well suited to being cast and reproduced many times over from the same mould in order to propagate an image.
Bibliographic reference
Pyke, E.J. A Biographical Dictionary of Wax Modellers, Oxford, 1973, p. 188.
Collection
Accession number
A.61-1970

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdMarch 18, 2004
Record URL
Download as: JSONIIIF Manifest