Akbar
Painting
ca. 1590-95 (made)
ca. 1590-95 (made)
Artist/Maker | |
Place of origin |
This illustration to the Akbarnama (Book of Akbar) depicts the Mughal emperor Akbar (r.1556–1605) on horseback, inspecting a wild elephant captured from a herd during a royal hunting expedition near Malwa in north central India. The elephant is shown tethered to a tree to start the process of taming it, and two trained elephants can be seen in the foreground being led away. The manuscript describes in detail the process of taming a wild elephant for the royal stables.
The Akbarnama was commissioned by Akbar as the official chronicle of his reign. It was written in Persian by his court historian and biographer, Abu’l Fazl, between 1590 and 1596, and the V&A’s partial copy of the manuscript is thought to have been illustrated between about 1592 and 1595. This is thought to be the earliest illustrated version of the text, and drew upon the expertise of some of the best royal artists of the time. Many of these are listed by Abu’l Fazl in the third volume of the text, the A’in-i Akbari, and some of these names appear in the V&A illustrations, written in red ink beneath the pictures, showing that this was a royal copy made for Akbar himself. After his death, the manuscript remained in the library of his son Jahangir (r.1605–1627), from whom it was inherited by Shah Jahan (r.1628–1658).
The V&A purchased the manuscript in 1896 from Frances Clarke, the widow of Major General John Clarke, who bought it in India while serving as Commissioner of Oudh between 1858 and 1862.
The Akbarnama was commissioned by Akbar as the official chronicle of his reign. It was written in Persian by his court historian and biographer, Abu’l Fazl, between 1590 and 1596, and the V&A’s partial copy of the manuscript is thought to have been illustrated between about 1592 and 1595. This is thought to be the earliest illustrated version of the text, and drew upon the expertise of some of the best royal artists of the time. Many of these are listed by Abu’l Fazl in the third volume of the text, the A’in-i Akbari, and some of these names appear in the V&A illustrations, written in red ink beneath the pictures, showing that this was a royal copy made for Akbar himself. After his death, the manuscript remained in the library of his son Jahangir (r.1605–1627), from whom it was inherited by Shah Jahan (r.1628–1658).
The V&A purchased the manuscript in 1896 from Frances Clarke, the widow of Major General John Clarke, who bought it in India while serving as Commissioner of Oudh between 1858 and 1862.
Object details
Categories | |
Object type | |
Title | Akbar (popular title) |
Materials and techniques | Painted in opaque watercolour and gold on paper |
Brief description | Painting, Akbarnama, Akbar inspecting wild elephant, outline by La'l, painting by Sanwalah, opaque watercolour and gold on paper, Mughal, ca. 1590-95 |
Physical description | Painting, in opaque watercolour and gold on paper, depicting Akbar inspecting a wild elephant captured from a herd near Malwa in 1564. The elephant is shown tethered to a tree. Two trained elephants in the foreground are being led away. |
Dimensions |
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Content description | Akbar inspecting a wild elephant captured from a herd near Malwa in 1564. The elephant is shown tethered to a tree. Two trained elephants in the foreground are being led away. |
Styles | |
Marks and inscriptions | 'Tarh La'l/Amal Sanwala' (Contemporary attributions are in red ink in Persian beneath the picture)
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Credit line | Purchased from Mrs. Clarke, The Dingle, Sydenham Hill, S. E |
Object history | The Akbarnama, or "Book of Akbar", was commissioned by the emperor Akbar as the official chronicle of his reign. It was written by 1590 and 1596 and is thought to have been illustrated between ca. 1592 and 1594 by at least forty-nine different artists from Akbar's studio. After Akbar's death in 1605, the manuscript remained in the library of his son, Jahangir (r.1605-1627) and later Shah Jahan (r.1628-1658). The Victoria and Albert Museum purchased it in 1896 from Mrs. Frances Clarke, the widow of Major General John Clarke, an official who had been the Commissioner in Oudh province between 1858 and 1862. Historical significance: It is thought to be the first illustrated copy of the Akbarnama. It drew upon the expertise of some of the best royal painters of the time, many of whom receive special mention by Abu'l Fazl in the A'in-i-Akbari, the third volume of the Akbarnama. The inscriptions in red ink on the bottom of the paintings refer to the artists and indicate that this was a royal copy. Purchased from Mrs. Clarke, The Dingle, Sydenham Hill, S. E. This acquisition information reflects that found in the Museum records (Asia Department registers and/or Central Inventory) as part of a 2023 provenance research project. Registered Papers: 85488/95 |
Production | Outline composed by La'l, colours and details painted by Sanwala. |
Subjects depicted | |
Association | |
Literary reference | Akbarnama |
Summary | This illustration to the Akbarnama (Book of Akbar) depicts the Mughal emperor Akbar (r.1556–1605) on horseback, inspecting a wild elephant captured from a herd during a royal hunting expedition near Malwa in north central India. The elephant is shown tethered to a tree to start the process of taming it, and two trained elephants can be seen in the foreground being led away. The manuscript describes in detail the process of taming a wild elephant for the royal stables. The Akbarnama was commissioned by Akbar as the official chronicle of his reign. It was written in Persian by his court historian and biographer, Abu’l Fazl, between 1590 and 1596, and the V&A’s partial copy of the manuscript is thought to have been illustrated between about 1592 and 1595. This is thought to be the earliest illustrated version of the text, and drew upon the expertise of some of the best royal artists of the time. Many of these are listed by Abu’l Fazl in the third volume of the text, the A’in-i Akbari, and some of these names appear in the V&A illustrations, written in red ink beneath the pictures, showing that this was a royal copy made for Akbar himself. After his death, the manuscript remained in the library of his son Jahangir (r.1605–1627), from whom it was inherited by Shah Jahan (r.1628–1658). The V&A purchased the manuscript in 1896 from Frances Clarke, the widow of Major General John Clarke, who bought it in India while serving as Commissioner of Oudh between 1858 and 1862. |
Bibliographic reference | Sen, Geeti. Paintings from the Akbar Nama. Lustre Press, 1984, page 84.
Asok Kumar Das, ‘The Elephant in Mughal Painting’ in Som Prakash Verma, ed., Flora and Fauna in Mughal Art, Marg Publications, Bombay, 1999, fig. 4, p. 40. |
Other number | 120 - inscription/original number |
Collection | |
Accession number | IS.2:39-1896 |
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Record created | November 17, 1998 |
Record URL |
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