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Mick Jagger, Villefranche-sur-Mer

Photograph
ca. 1971 (photographed), 1999 (printed)
Artist/Maker
Place of origin

For over a quarter of the century, the photographs of Michael Cooper have been identified with the chronology of the Rolling Stones. His documentation of the years he knew them, from 1963 to his death a decade later, has ensured that his name is synonymous with the band.

He was also involved with the London art scene of the sixties. The Robert Fraser Gallery in Duke Street, Mayfair - to which Cooper became attached in 1964 - played host to the incipient Pop Art movement as well as to established names such as Jean Dubuffet and Rene Magritte.

This portrait of Mick Jagger was taken on a holiday to Villefranche-sur-mer, on the French Riviera, in 1971.


Object details

Category
Object type
TitleMick Jagger, Villefranche-sur-Mer (assigned by artist)
Materials and techniques
Gelatin-silver print
Brief description
'Mick Jagger, Villefranche-sur-Mer', gelatin-silver print, Michael Cooper, France, ca. 1971
Physical description
Black and white blured photograph of Mick Jagger in a white jacket on a motorbike in a busy street.
Dimensions
  • Sheet height: 35cm
  • Sheet width: 40cm
Style
Gallery label
Michael Cooper 1941-1973 For over a quarter of a century, the photographs of Michael Cooper have been identified with the chronology of the Rolling Stones. His documentation of the years that he knew them, from 1963 to his death a decade later, has ensured that his name is synonymous with the band. Part of its fact - and its mythology. He was also involved with the London art scene of the sixties. The Robert Fraser Gallery in Duke Street, Mayfair - to which Cooper became attached in 1964 - played host to the incipient Pop Art movement as well as to established names such as Jean Dubuffet and Rene Magritte. Cooper typically photographed in available light and in a documentary style. He turned photojournalist proper - though commissioned by no-one - to record two occasions when the counter-culture stood firm against the establishment, calling for the cessation of American military involvement in Vietnam. Cooper turned his camera on the riots at the Democratic Convention, Chicago, in the summer of 1968 and the disturbances in the same year outside the American embassy in London. The subjects of Michael Cooper's photographs were, as he said "not just faces that I have photographed but people I have worked with or become involved with on a very personal level". They are an intimate chronicle of the cultural and political climate of a vibrant moment of history. Robin Muir(1999)
Credit line
Given by Adam Cooper
Production
Attribution note: Print made from original negative for exhibition at V&A 1999
Subject depicted
Summary
For over a quarter of the century, the photographs of Michael Cooper have been identified with the chronology of the Rolling Stones. His documentation of the years he knew them, from 1963 to his death a decade later, has ensured that his name is synonymous with the band.

He was also involved with the London art scene of the sixties. The Robert Fraser Gallery in Duke Street, Mayfair - to which Cooper became attached in 1964 - played host to the incipient Pop Art movement as well as to established names such as Jean Dubuffet and Rene Magritte.

This portrait of Mick Jagger was taken on a holiday to Villefranche-sur-mer, on the French Riviera, in 1971.
Bibliographic reference
Michael Cooper - You Are Here: The London Sixties by Robin Muir, Schirmer/Mosel, 1999
Collection
Accession number
E.2062-2004

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Record createdMarch 17, 2004
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