A daughter of Lady Townshend
Relief
1765-1775 (made)
1765-1775 (made)
Artist/Maker | |
Place of origin |
The daughter of Lady Townshend is shown in relief facing to the left. She is dressed in a short-sleeved pink dress edged with lace with a green sash and a white cap with pink and green flowers. Her light brown hair is twisted in ringlets falling to her shoulders.
During the eighteenth and nineteenth centuries, low relief portraits in wax became popular in Britain and they were often exhibited at the Royal Academy, the Society of Artists and elsewhere. Waxes were used in a similar way to prints and medals, in order to disseminate the image of the sitter, or, like miniature paintings or silhouettes as portable mementoes.
During the eighteenth and nineteenth centuries, low relief portraits in wax became popular in Britain and they were often exhibited at the Royal Academy, the Society of Artists and elsewhere. Waxes were used in a similar way to prints and medals, in order to disseminate the image of the sitter, or, like miniature paintings or silhouettes as portable mementoes.
Object details
Category | |
Object type | |
Title | A daughter of Lady Townshend |
Materials and techniques | Wax |
Brief description | Relief, wax, English, about 1765-1775 |
Physical description | The profile relief of a daughter of Lady Townshend is shown facing to the left. She is dressed in a short-sleeved pink dress edged with lace with a green sash, and a white cap with pink and green flowers. Her light brown hair is twisted in ringlets falling to her shoulders. The wax is set on a dark green glass background. |
Dimensions |
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Credit line | From the Bate collection |
Object history | From the Mary Bate Collection, ex. loan 20. Bought from Philip Bate for £150. |
Summary | The daughter of Lady Townshend is shown in relief facing to the left. She is dressed in a short-sleeved pink dress edged with lace with a green sash and a white cap with pink and green flowers. Her light brown hair is twisted in ringlets falling to her shoulders. During the eighteenth and nineteenth centuries, low relief portraits in wax became popular in Britain and they were often exhibited at the Royal Academy, the Society of Artists and elsewhere. Waxes were used in a similar way to prints and medals, in order to disseminate the image of the sitter, or, like miniature paintings or silhouettes as portable mementoes. |
Bibliographic references |
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Collection | |
Accession number | A.27-1970 |
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Record created | March 17, 2004 |
Record URL |
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