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Anita Pallenberg on the set of Performance, London

Photograph
1968 (made)
Artist/Maker
Place of origin

For over a quarter of the century, the photographs of Michael Cooper have been identified with the chronology of the Rolling Stones. His documentation of the years he knew them, from 1963 to his death a decade later, has ensured that his name is synonymous with the band.

He was also involved with the London art scene of the sixties. The Robert Fraser Gallery in Duke Street, Mayfair - to which Cooper became attached in 1964 - played host to the incipient Pop Art movement as well as to established names such as Jean Dubuffet and Rene Magritte.

This portrait of model and actress Anita Pallenberg was taken on the film set of 'Performance' in 1968, a year after she married Rolling Stones band member Keith Richards.


Object details

Category
Object type
TitleAnita Pallenberg on the set of Performance, London (generic title)
Materials and techniques
Gelatin-silver print
Brief description
'Anita Pallenberg on the set of Performance, London', gelatin-silver print, Michael Cooper, London, 1968
Physical description
Black and white photograph of the model and actress Anita Pallenberg sitting on a gilt chair in a lavish interior.
Dimensions
  • Sheet height: 47cm
  • Sheet width: 37cm
Style
Gallery label
Michael Cooper 1941-1973 For over a quarter of a century, the photographs of Michael Cooper have been identified with the chronology of the Rolling Stones. His documentation of the years that he knew them, from 1963 to his death a decade later, has ensured that his name is synonymous with the band. Part of its fact - and its mythology. He was also involved with the London art scene of the sixties. The Robert Fraser Gallery in Duke Street, Mayfair - to which Cooper became attached in 1964 - played host to the incipient Pop Art movement as well as to established names such as Jean Dubuffet and Rene Magritte. Cooper typically photographed in available light and in a documentary style. He turned photojournalist proper - though commissioned by no-one - to record two occasions when the counter-culture stood firm against the establishment, calling for the cessation of American military involvement in Vietnam. Cooper turned his camera on the riots at the Democratic Convention, Chicago, in the summer of 1968 and the disturbances in the same year outside the American embassy in London. The subjects of Michael Cooper's photographs were, as he said "not just faces that I have photographed but people I have worked with or become involved with on a very personal level". They are an intimate chronicle of the cultural and political climate of a vibrant moment of history. Robin Muir(1999)
Credit line
Given by Adam Cooper
Production
Attribution note: Print made from original negative for Triple Exposure exhibition at V&A, 1999.
Subjects depicted
Summary
For over a quarter of the century, the photographs of Michael Cooper have been identified with the chronology of the Rolling Stones. His documentation of the years he knew them, from 1963 to his death a decade later, has ensured that his name is synonymous with the band.

He was also involved with the London art scene of the sixties. The Robert Fraser Gallery in Duke Street, Mayfair - to which Cooper became attached in 1964 - played host to the incipient Pop Art movement as well as to established names such as Jean Dubuffet and Rene Magritte.

This portrait of model and actress Anita Pallenberg was taken on the film set of 'Performance' in 1968, a year after she married Rolling Stones band member Keith Richards.
Bibliographic reference
Muir, R. You Are Here: Michael Cooper - The London Sixties, 1999
Collection
Accession number
E.2059-2004

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Record createdMarch 17, 2004
Record URL
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