Not currently on display at the V&A

King Louis XVI (1774-1792)

Relief
1796 (made)
Artist/Maker
Place of origin

This portrait relief depicts Louis XVI, King of France and Navarre from 1774 until 1792. Arrested during the Revolution he was tried and executed by guillotine on 21st January 1793.

During the eighteenth and nineteenth centuries, low relief portraits in wax became popular in Britain and they were often exhibited at the Royal Academy, the Society of Artists and elsewhere. Waxes were used in a similar way to prints and medals, in order to disseminate the image of the sitter, or, like miniature paintings or silhouettes as portable mementoes.

The finishing on this portrait is astoundingly detailed. The process of making a portrait in wax would begin with a model in plasticine or soft wax which would be worked using ivory or wooden tools in much the same way as a model in clay. A plaster mould would then be made and molten wax poured into it. The relief would be hand-finished by the artist.

This portrait is the work of Edward Coffin, an English Sculptor who exhibited wax portraits at the Royal Academy from 1783 to 1803.

Object details

Categories
Object type
TitleKing Louis XVI (1774-1792)
Materials and techniques
Wax
Brief description
Relief, Louis XVI, wax, by Edmund Coffin, English, 1796
Physical description
Wax relief in octagonal frame. Profile to the left, wearing the Star of the Order of the Garter.
Marks and inscriptions
Signed and dated.
Credit line
Rupert Gunnis Bequest
Object history
Bequeathed by Rupert Gunnis Esq.
Subjects depicted
Summary
This portrait relief depicts Louis XVI, King of France and Navarre from 1774 until 1792. Arrested during the Revolution he was tried and executed by guillotine on 21st January 1793.

During the eighteenth and nineteenth centuries, low relief portraits in wax became popular in Britain and they were often exhibited at the Royal Academy, the Society of Artists and elsewhere. Waxes were used in a similar way to prints and medals, in order to disseminate the image of the sitter, or, like miniature paintings or silhouettes as portable mementoes.

The finishing on this portrait is astoundingly detailed. The process of making a portrait in wax would begin with a model in plasticine or soft wax which would be worked using ivory or wooden tools in much the same way as a model in clay. A plaster mould would then be made and molten wax poured into it. The relief would be hand-finished by the artist.

This portrait is the work of Edward Coffin, an English Sculptor who exhibited wax portraits at the Royal Academy from 1783 to 1803.
Collection
Accession number
A.108-1965

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Record createdMarch 17, 2004
Record URL
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