Teapot
Teapot
1996 (made)
1996 (made)
Artist/Maker | |
Place of origin |
The studio of San Lorenzo was formed in 1970. Its express purpose was to create a new idiom in sterling silver. The small group of designers that formed its nucleus aimed to produce high quality designs in sterling. San Lorenzo implemented a select band of products in batch production runs. There was strong emphasis on finely detailed quality, both in design and workmanship.
Tobia Scarpa, son of the architect Carlo Scarpa, and Afra Bianchin both studied architecture in Venice. They married, and from 1957 to 1961 Tobia worked as a glass designer at the Murano glassworks of Venini. From time to time he collaborated with Afra. In 1960 the couple began to design furniture for Gavina. Their designs were informed by a deep understanding of materials and empathy for traditional Italian craftsmanship. They also designed furniture for other companies, as well as lighting for Flos and cutlery for San Lorenzo. They carried out commissions for showrooms and factories, including one for Benetton (1964). All these were characterised by a sense of modesty and a highly refined use of space. In the 1980s the Scarpas restored squares in the Italian provinces of Veneto and Emilia.
Tobia Scarpa, son of the architect Carlo Scarpa, and Afra Bianchin both studied architecture in Venice. They married, and from 1957 to 1961 Tobia worked as a glass designer at the Murano glassworks of Venini. From time to time he collaborated with Afra. In 1960 the couple began to design furniture for Gavina. Their designs were informed by a deep understanding of materials and empathy for traditional Italian craftsmanship. They also designed furniture for other companies, as well as lighting for Flos and cutlery for San Lorenzo. They carried out commissions for showrooms and factories, including one for Benetton (1964). All these were characterised by a sense of modesty and a highly refined use of space. In the 1980s the Scarpas restored squares in the Italian provinces of Veneto and Emilia.
Object details
Categories | |
Object type | |
Parts | This object consists of 2 parts.
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Title | Teapot (generic title) |
Materials and techniques | Silver, with ebony handles and knop |
Brief description | Teapot designed by Afra and Tobia Scarpa 1988. Made by San Lorenzo, Milan 1996. |
Physical description | The vessel rests on a flat circular base with a vertical wall rising to an inverted, rolled rim. The short squat spout is a cylindrical tube, attached just beneath the rim and rises at 45 degrees to the wall. The mouth is cut at 45 degrees to the wall of the tube and is thus level with the rim. A semi-circular flange attached to the external rim of the spout acts as a drip trap. The rim has an internal flange with two semi-circular indentations, directly opposite each other. The lid is a flat disc with a curved rim which returns as a flat flange on the inside edge. The handles are two hoops of ebony shaped to follow the radius of the body. |
Dimensions |
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Style | |
Marks and inscriptions | (Company marks of San Lorenzo, Milan, Scarpa, sterling standard and date letter for 1996) |
Object history | Neg._No: BW 44983 |
Summary | The studio of San Lorenzo was formed in 1970. Its express purpose was to create a new idiom in sterling silver. The small group of designers that formed its nucleus aimed to produce high quality designs in sterling. San Lorenzo implemented a select band of products in batch production runs. There was strong emphasis on finely detailed quality, both in design and workmanship. Tobia Scarpa, son of the architect Carlo Scarpa, and Afra Bianchin both studied architecture in Venice. They married, and from 1957 to 1961 Tobia worked as a glass designer at the Murano glassworks of Venini. From time to time he collaborated with Afra. In 1960 the couple began to design furniture for Gavina. Their designs were informed by a deep understanding of materials and empathy for traditional Italian craftsmanship. They also designed furniture for other companies, as well as lighting for Flos and cutlery for San Lorenzo. They carried out commissions for showrooms and factories, including one for Benetton (1964). All these were characterised by a sense of modesty and a highly refined use of space. In the 1980s the Scarpas restored squares in the Italian provinces of Veneto and Emilia. |
Collection | |
Accession number | M.63:1, 2-1996 |
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Record created | March 11, 2004 |
Record URL |
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