Painting
ca. 1590-95 (made)
Artist/Maker | |
Place of origin |
This page from the Akbarnama (Book of Akbar) is the left side of a double-page composition designed by the Mughal court artist Miskina, with the painting done by Bhura. It illustrates an incident when mines laid by the Mughal army exploded as the imperial forces attacked the Rajput fortress of Chitor (Chittaurgarh) in north-west India in 1567.
The Akbarnama was commissioned by the Mughal emperor Akbar (r.1556–1605) as the official chronicle of his reign. It was written in Persian by his court historian and biographer, Abu’l Fazl, between 1590 and 1596, and the V&A’s partial copy of the manuscript is thought to have been illustrated between about 1592 and 1595. This is thought to be the earliest illustrated version of the text, and drew upon the expertise of some of the best royal artists of the time. Many of these are listed by Abu’l Fazl in the third volume of the text, the A’in-i Akbari, and some of these names appear in the V&A illustrations, written in red ink beneath the pictures, showing that this was a royal copy made for Akbar himself. After his death, the manuscript remained in the library of his son Jahangir, from whom it was inherited by Shah Jahan.
The Akbarnama was commissioned by the Mughal emperor Akbar (r.1556–1605) as the official chronicle of his reign. It was written in Persian by his court historian and biographer, Abu’l Fazl, between 1590 and 1596, and the V&A’s partial copy of the manuscript is thought to have been illustrated between about 1592 and 1595. This is thought to be the earliest illustrated version of the text, and drew upon the expertise of some of the best royal artists of the time. Many of these are listed by Abu’l Fazl in the third volume of the text, the A’in-i Akbari, and some of these names appear in the V&A illustrations, written in red ink beneath the pictures, showing that this was a royal copy made for Akbar himself. After his death, the manuscript remained in the library of his son Jahangir, from whom it was inherited by Shah Jahan.
Object details
Categories | |
Object type | |
Materials and techniques | Painted in opaque watercolour and gold on paper |
Brief description | Painting, Akbarnama, mines exploding during the siege of Chitor, outline by Miskina, painting by Bhurah, opaque watercolour and gold on paper, Mughal, ca. 1590-95 |
Physical description | Painting, in opaque watercolour and gold on paper, left side of double picture, right side is IS.2:66-1896. Depicts the mining of the fortress of Chitor. In this image, one of the mines is shown exploding, causing the death of a number of people. |
Dimensions |
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Content description | The mining of the fortress of Chitor. In this image, one of the mines is shown exploding, causing the death of a number of people. |
Styles | |
Marks and inscriptions | (Maker's identification; Persian; Persian; ink)
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Gallery label |
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Credit line | Purchased from Mrs. Clarke, The Dingle, Sydenham Hill, S. E |
Object history | The Akbarnama, or "Book of Akbar", was commissioned by the emperor Akbar as the official chronicle of his reign. It was written by 1590 and 1596 and is thought to have been illustrated between ca. 1592 and 1594 by at least forty-nine different artists from Akbar's studio. After Akbar's death in 1605, the manuscript remained in the library of his son, Jahangir (r.1605-1627) and later Shah Jahan (r.1628-1658). The Victoria and Albert Museum purchased it in 1896 from Mrs. Frances Clarke, the widow of Major General John Clarke, an official who had been the Commissioner in Oudh province between 1858 and 1862. Historical significance: It is thought to be the first illustrated copy of the Akbarnama. It drew upon the expertise of some of the best royal painters of the time, many of whom receive special mention by Abu'l Fazl in the A'in-i-Akbari, the third volume of the Akbarnama. The inscriptions in red ink on the bottom of the paintings refer to the artists and indicate that this was a royal copy. Purchased from Mrs. Clarke, The Dingle, Sydenham Hill, S. E. This acquisition information reflects that found in the Museum records (Asia Department registers and/or Central Inventory) as part of a 2023 provenance research project. Registered Papers: 85488/95 |
Production | Composition by Miskina, colours and details painted by Bhurah. |
Subjects depicted | |
Place depicted | |
Association | |
Literary reference | Akbarnama |
Summary | This page from the Akbarnama (Book of Akbar) is the left side of a double-page composition designed by the Mughal court artist Miskina, with the painting done by Bhura. It illustrates an incident when mines laid by the Mughal army exploded as the imperial forces attacked the Rajput fortress of Chitor (Chittaurgarh) in north-west India in 1567. The Akbarnama was commissioned by the Mughal emperor Akbar (r.1556–1605) as the official chronicle of his reign. It was written in Persian by his court historian and biographer, Abu’l Fazl, between 1590 and 1596, and the V&A’s partial copy of the manuscript is thought to have been illustrated between about 1592 and 1595. This is thought to be the earliest illustrated version of the text, and drew upon the expertise of some of the best royal artists of the time. Many of these are listed by Abu’l Fazl in the third volume of the text, the A’in-i Akbari, and some of these names appear in the V&A illustrations, written in red ink beneath the pictures, showing that this was a royal copy made for Akbar himself. After his death, the manuscript remained in the library of his son Jahangir, from whom it was inherited by Shah Jahan. |
Associated object | |
Bibliographic reference | Susan Stronge, Painting for the Mughal emperor. The Art of the Book, 1560-1650, V&A Publications, 2002, pl. 47 p. 72. |
Other number | 152 - inscription/original number |
Collection | |
Accession number | IS.2:67-1896 |
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Record created | November 11, 1998 |
Record URL |
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