Painting thumbnail 1
Painting thumbnail 2
Not on display

Painting

ca. 1590-95 (made)
Artist/Maker
Place of origin

This page from the Akbarnama (Book of Akbar) is the left side of a double-page composition designed by the Mughal court artist Miskina, with the painting done by Bhura. It illustrates an incident when mines laid by the Mughal army exploded as the imperial forces attacked the Rajput fortress of Chitor (Chittaurgarh) in north-west India in 1567.

The Akbarnama was commissioned by the Mughal emperor Akbar (r.1556–1605) as the official chronicle of his reign. It was written in Persian by his court historian and biographer, Abu’l Fazl, between 1590 and 1596, and the V&A’s partial copy of the manuscript is thought to have been illustrated between about 1592 and 1595. This is thought to be the earliest illustrated version of the text, and drew upon the expertise of some of the best royal artists of the time. Many of these are listed by Abu’l Fazl in the third volume of the text, the A’in-i Akbari, and some of these names appear in the V&A illustrations, written in red ink beneath the pictures, showing that this was a royal copy made for Akbar himself. After his death, the manuscript remained in the library of his son Jahangir, from whom it was inherited by Shah Jahan.

Object details

Categories
Object type
Materials and techniques
Painted in opaque watercolour and gold on paper
Brief description
Painting, Akbarnama, mines exploding during the siege of Chitor, outline by Miskina, painting by Bhurah, opaque watercolour and gold on paper, Mughal, ca. 1590-95
Physical description
Painting, in opaque watercolour and gold on paper, left side of double picture, right side is IS.2:66-1896. Depicts the mining of the fortress of Chitor. In this image, one of the mines is shown exploding, causing the death of a number of people.
Dimensions
  • Painting height: 33cm
  • Painting width: 19.1cm
Content description
The mining of the fortress of Chitor. In this image, one of the mines is shown exploding, causing the death of a number of people.
Styles
Marks and inscriptions
(Maker's identification; Persian; Persian; ink)
Translation
'composed by Miskina painted by Bhura'
Transliteration
'Text (tarah Miskina amal Bhura)'
Gallery label
MINES EXPLODING DURING THE SIEGE OF CHITOR (RIGHT SIDE)
From an imperial copy of the Akbarnama (“Book of Akbar”)
Opaque water colour and gold on paper
Mughal, composition by Miskina, painting by Sarwan
ca. 1590-95

IS.2:66-1896

The Mughal attack on the seemingly impregnable Hindu fortress of the kingdom of Chitor in Rajasthan took place in the winter of 1567-1568. Akbar directed the campaign which began with a series of hasty assaults. This double-page composition, designed by Miskina and coloured by two different artists, shows the disastrous consequences of a Mughal mine exploding accidentally in the path of the army, killing many of Akbar’s finest men.



MINES EXPLODING DURING THE SIEGE OF CHITOR (LEFT SIDE)
From an imperial copy of the Akbarnama (“Book of Akbar”)
Opaque water colour and gold on paper
Mughal, composition by Miskina, painting by Bhura
ca. 1590-95

IS.2:67-1896

Following the disaster, the Mughal forces adopted a more patient approach, constructing covered ways to give protection as they moved closer to the fort. This was ultimately successful, but the Mughals went on to massacre nearly 30,000 people. Akbar’s chronicler recorded in the Akbarnama that this was because the inhabitants had fiercely resisted, rather than surrendering.
Credit line
Purchased from Mrs. Clarke, The Dingle, Sydenham Hill, S. E
Object history
The Akbarnama, or "Book of Akbar", was commissioned by the emperor Akbar as the official chronicle of his reign. It was written by 1590 and 1596 and is thought to have been illustrated between ca. 1592 and 1594 by at least forty-nine different artists from Akbar's studio. After Akbar's death in 1605, the manuscript remained in the library of his son, Jahangir (r.1605-1627) and later Shah Jahan (r.1628-1658). The Victoria and Albert Museum purchased it in 1896 from Mrs. Frances Clarke, the widow of Major General John Clarke, an official who had been the Commissioner in Oudh province between 1858 and 1862.

Historical significance: It is thought to be the first illustrated copy of the Akbarnama. It drew upon the expertise of some of the best royal painters of the time, many of whom receive special mention by Abu'l Fazl in the A'in-i-Akbari, the third volume of the Akbarnama. The inscriptions in red ink on the bottom of the paintings refer to the artists and indicate that this was a royal copy.

Purchased from Mrs. Clarke, The Dingle, Sydenham Hill, S. E. This acquisition information reflects that found in the Museum records (Asia Department registers and/or Central Inventory) as part of a 2023 provenance research project.

Registered Papers: 85488/95
Production
Composition by Miskina, colours and details painted by Bhurah.
Subjects depicted
Place depicted
Association
Literary referenceAkbarnama
Summary
This page from the Akbarnama (Book of Akbar) is the left side of a double-page composition designed by the Mughal court artist Miskina, with the painting done by Bhura. It illustrates an incident when mines laid by the Mughal army exploded as the imperial forces attacked the Rajput fortress of Chitor (Chittaurgarh) in north-west India in 1567.

The Akbarnama was commissioned by the Mughal emperor Akbar (r.1556–1605) as the official chronicle of his reign. It was written in Persian by his court historian and biographer, Abu’l Fazl, between 1590 and 1596, and the V&A’s partial copy of the manuscript is thought to have been illustrated between about 1592 and 1595. This is thought to be the earliest illustrated version of the text, and drew upon the expertise of some of the best royal artists of the time. Many of these are listed by Abu’l Fazl in the third volume of the text, the A’in-i Akbari, and some of these names appear in the V&A illustrations, written in red ink beneath the pictures, showing that this was a royal copy made for Akbar himself. After his death, the manuscript remained in the library of his son Jahangir, from whom it was inherited by Shah Jahan.
Associated object
Bibliographic reference
Susan Stronge, Painting for the Mughal emperor. The Art of the Book, 1560-1650, V&A Publications, 2002, pl. 47 p. 72.
Other number
152 - inscription/original number
Collection
Accession number
IS.2:67-1896

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Record createdNovember 11, 1998
Record URL
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