Painting, Akbarnama, Akbar entertained by Azim Khan at Dipalpur, outline by Jagan, painting by Asir, opaque watercolour and gold on paper, Mughal, ca. 1586-1589

Painting, in opaque watercolour and gold on paper, the left side of a double picture showing Akbar being entertained by his foster brother Azim Khan at Dipalpur in the Panjab in 1571. This side depicts attendants with horses and gifts, a trained hunting cheetah and falcon and servants carrying a throne inside the tented enclosure, and elephants and their riders outside, at top left.
This is on the same folio as IS.2:92-1896.

Akbar being entertained by his foster brother Azim Khan at Dipalpur in the Panjab in 1571. This side depicts attendants with horses and gifts, a trained hunting cheetah and falcon and servants carrying a throne inside the tented enclosure, and elephants and their riders outside, at top left.

Purchased from Mrs. Clarke, The Dingle, Sydenham Hill, S. E

The Akbarnama, or "Book of Akbar", was commissioned by the emperor Akbar as the official chronicle of his reign. It was written by 1590 and 1596 and is thought to have been illustrated between ca. 1592 and 1594 by at least forty-nine different artists from Akbar's studio. After Akbar's death in 1605, the manuscript remained in the library of his son, Jahangir (r.1605-1627) and later Shah Jahan (r.1628-1658). The Victoria and Albert Museum purchased it in 1896 from Mrs. Frances Clarke, the widow of Major General John Clarke, an official who had been the Commissioner in Oudh province between 1858 and 1862.

Historical significance: It is thought to be the first illustrated copy of the Akbarnama. It drew upon the expertise of some of the best royal painters of the time, many of whom receive special mention by Abu'l Fazl in the A'in-i-Akbari, the third volume of the Akbarnama. The inscriptions in red ink on the bottom of the paintings refer to the artists and indicate that this was a royal copy.

Purchased from Mrs. Clarke, The Dingle, Sydenham Hill, S. E. This acquisition information reflects that found in the Museum records (Asia Department registers and/or Central Inventory) as part of a 2023 provenance research project.

Registered Papers: 85488/95

Composition by Jagan, painting by Asir.
Attribution place is likely to be Delhi, Agra or Fatehpur Sikri.

This is the left side of a double-page image from the Akbarnama depicting Akbar being entertained by his foster brother Azim Khan at Dipalpur in the Panjab in 1571. This side shows attendants with horses and gifts, a trained hunting cheetah, a falconer and elephants. Akbar himself is depicted on the right-hand page, IS.2:94-1896.

The Akbarnama was commissioned by the emperor Akbar as the official chronicle of his reign. It was written by his court historian and biographer Abu'l Fazl between 1590 and 1596 and is thought to have been illustrated between about 1592 and 1594 by at least 49 different artists from Akbar's studio. After Akbar's death in 1605, the manuscript remained in the library of his son, Jahangir (r. 1605-1627) and later Shah Jahan (r.1628-1658). The Victoria and Albert Museum purchased it in 1896 from Mrs Frances Clarke, the widow of Major-General John Clarke, who bought it in India while serving as Commissioner of Oudh between 1858 and 1862.

IS.2:95-1896