Card Case
1852 (made)
Artist/Maker | |
Place of origin |
This case would have held calling cards, which people presented when paying a formal visit in polite society. This example was shown at the Exposition Universelle of 1855 in Paris and at the International Exhibition, London, in 1862.
George C. Stanton, who designed it, worked for Elkington, Mason & Co, Birmingham. The firm specialised in electroplate and electrotypes and Stanton was employed as assistant to their chief designer. In this example he has been inspired by Italian Renaissance prints to create a modern piece for which the Museum paid £1.10s in 1854.
George C. Stanton, who designed it, worked for Elkington, Mason & Co, Birmingham. The firm specialised in electroplate and electrotypes and Stanton was employed as assistant to their chief designer. In this example he has been inspired by Italian Renaissance prints to create a modern piece for which the Museum paid £1.10s in 1854.
Object details
Categories | |
Object type | |
Materials and techniques | Silver, parcel-gilt, with hinged lid and raised decoration |
Brief description | Silver, parcel gilt, made by Elkington and Co. 1852, designed by George Stanton. |
Dimensions |
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Marks and inscriptions | Inscribed: Elkington Mason & Co.
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Gallery label |
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Object history | Napoleon and Victoria Exhibition RF.2007/800 |
Historical context | The designer of the card George Stanton was a young artist working for Elkington, Mason and Company by the time of the International Exhibition of 1851. He was a graduate fo the Birmingham School of Design. |
Summary | This case would have held calling cards, which people presented when paying a formal visit in polite society. This example was shown at the Exposition Universelle of 1855 in Paris and at the International Exhibition, London, in 1862. George C. Stanton, who designed it, worked for Elkington, Mason & Co, Birmingham. The firm specialised in electroplate and electrotypes and Stanton was employed as assistant to their chief designer. In this example he has been inspired by Italian Renaissance prints to create a modern piece for which the Museum paid £1.10s in 1854. |
Collection | |
Accession number | 1302-1854 |
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Record created | March 3, 2004 |
Record URL |
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