Sugar Bowl
Sugar Bowl
1996 (made)
1996 (made)
Artist/Maker | |
Place of origin |
The studio of San Lorenzo was formed in 1970. Its express purpose was to create a new idiom in sterling silver. The small group of designers that formed its nucleus aimed to produce high quality designs in sterling. San Lorenzo implemented a select band of products in batch production runs. There was strong emphasis on finely detailed quality, both in design and workmanship.
Tobia Scarpa, son of the architect Carlo Scarpa, and Afra Bianchin both studied architecture in Venice. They married, and from 1957 to 1961 Tobia worked as a glass designer at the Murano glassworks of Venini. From time to time he collaborated with Afra. In 1960 the couple began to design furniture for Gavina. Their designs were informed by a deep understanding of materials and empathy for traditional Italian craftsmanship. They also designed furniture for other companies, as well as lighting for Flos and cutlery for San Lorenzo. They carried out commissions for showrooms and factories, including one for Benetton (1964). All these were characterised by a sense of modesty and a highly refined use of space. In the 1980s the Scarpas restored squares in the Italian provinces of Veneto and Emilia.
Tobia Scarpa, son of the architect Carlo Scarpa, and Afra Bianchin both studied architecture in Venice. They married, and from 1957 to 1961 Tobia worked as a glass designer at the Murano glassworks of Venini. From time to time he collaborated with Afra. In 1960 the couple began to design furniture for Gavina. Their designs were informed by a deep understanding of materials and empathy for traditional Italian craftsmanship. They also designed furniture for other companies, as well as lighting for Flos and cutlery for San Lorenzo. They carried out commissions for showrooms and factories, including one for Benetton (1964). All these were characterised by a sense of modesty and a highly refined use of space. In the 1980s the Scarpas restored squares in the Italian provinces of Veneto and Emilia.
Object details
Categories | |
Object type | |
Title | Sugar Bowl (generic title) |
Materials and techniques | Silver |
Brief description | Sugar bowl, designed by Afra and Tobia Scarpa 1988. Made by San Lorenzo, Milan 1996. |
Physical description | The silver bowl has a flat, circular base and a vertical wall rising to an inverted, rolled rim. Part of a tea service. Marks: Company marks of San Lorenzo, Milan, Scarpa, the sterling standard and the date letter of 1996. |
Dimensions |
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Style | |
Marks and inscriptions | Company marks of San Lorenzo, Milan, Scarpa, sterling standard, date letter for 1996 |
Summary | The studio of San Lorenzo was formed in 1970. Its express purpose was to create a new idiom in sterling silver. The small group of designers that formed its nucleus aimed to produce high quality designs in sterling. San Lorenzo implemented a select band of products in batch production runs. There was strong emphasis on finely detailed quality, both in design and workmanship. Tobia Scarpa, son of the architect Carlo Scarpa, and Afra Bianchin both studied architecture in Venice. They married, and from 1957 to 1961 Tobia worked as a glass designer at the Murano glassworks of Venini. From time to time he collaborated with Afra. In 1960 the couple began to design furniture for Gavina. Their designs were informed by a deep understanding of materials and empathy for traditional Italian craftsmanship. They also designed furniture for other companies, as well as lighting for Flos and cutlery for San Lorenzo. They carried out commissions for showrooms and factories, including one for Benetton (1964). All these were characterised by a sense of modesty and a highly refined use of space. In the 1980s the Scarpas restored squares in the Italian provinces of Veneto and Emilia. |
Bibliographic reference | 1970-1995 The work of the silversmiths studio, San Lorenzo, Milan. An exhibition at the V&A, ed. Evelina Bazzo, Milan, Electa, 1995. pp. 116 and 112.
Italian Silverware of the 20th Century, from Decorative Arts to Design. ed. Tersilla F. Giacobone, Milan, Electa, 1993. cat. No. 84; ill. p. 147. |
Collection | |
Accession number | M.65-1996 |
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Record created | March 3, 2004 |
Record URL |
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