Cake Knife
1991 (made)
| Artist/Maker | |
| Place of origin |
The San Lorenzo studio was founded in 1970. One aim was to ask major Italian architects to design silver tableware. This collaboration has resulted in modern, innovative design in a medium that the British have tended to view in traditional terms.
Tobia Scarpa, son of the architect Carlo Scarpa, and Afra Bianchin both studied architecture in Venice. They married, and from 1957 to 1961 Tobia worked as a glass designer at the Murano glassworks of Venini. From time to time he collaborated with Afra. In 1960 the couple began to design furniture for Gavina. Their designs were informed by a deep understanding of materials and empathy for traditional Italian craftsmanship. They also designed furniture for other companies, as well as lighting for Flos and cutlery for San Lorenzo. They carried out commissions for showrooms and factories, including one for Benetton (1964). All these were characterised by a sense of modesty and a highly refined use of space. In the 1980s the Scarpas restored squares in the Italian provinces of Veneto and Emilia.
Tobia Scarpa, son of the architect Carlo Scarpa, and Afra Bianchin both studied architecture in Venice. They married, and from 1957 to 1961 Tobia worked as a glass designer at the Murano glassworks of Venini. From time to time he collaborated with Afra. In 1960 the couple began to design furniture for Gavina. Their designs were informed by a deep understanding of materials and empathy for traditional Italian craftsmanship. They also designed furniture for other companies, as well as lighting for Flos and cutlery for San Lorenzo. They carried out commissions for showrooms and factories, including one for Benetton (1964). All these were characterised by a sense of modesty and a highly refined use of space. In the 1980s the Scarpas restored squares in the Italian provinces of Veneto and Emilia.
Object details
| Categories | |
| Object type | |
| Materials and techniques | Silver, with pietra dura handle |
| Brief description | Silver and pietra dura, marks for Milan, 1991, San Lorenzo and designers Afra and Tobia Scarpa |
| Physical description | The silver blade, triangular with a circular bolster, the handle a cylindrical rod of pietra dura capped by a silver disc. |
| Dimensions |
|
| Style | |
| Marks and inscriptions | -along one of facetted edges: company mark of San Lorenzo, designer’s mark of ats for Afra and Tobia Scarpa, date letter U for 1991, sterling standard mark of 925, Milan control mark |
| Object history | Date of make - 1991 and date of design - 1981 Since its foundation in 1970, the policy of the San Lorenzo studio has been to commission major Italian architects to design silver tableware. The result of this collaboration has been modern innovative design in a medium which the British public have tended to view in traditional terms. |
| Summary | The San Lorenzo studio was founded in 1970. One aim was to ask major Italian architects to design silver tableware. This collaboration has resulted in modern, innovative design in a medium that the British have tended to view in traditional terms. Tobia Scarpa, son of the architect Carlo Scarpa, and Afra Bianchin both studied architecture in Venice. They married, and from 1957 to 1961 Tobia worked as a glass designer at the Murano glassworks of Venini. From time to time he collaborated with Afra. In 1960 the couple began to design furniture for Gavina. Their designs were informed by a deep understanding of materials and empathy for traditional Italian craftsmanship. They also designed furniture for other companies, as well as lighting for Flos and cutlery for San Lorenzo. They carried out commissions for showrooms and factories, including one for Benetton (1964). All these were characterised by a sense of modesty and a highly refined use of space. In the 1980s the Scarpas restored squares in the Italian provinces of Veneto and Emilia. |
| Bibliographic reference | 1970-1995 The work of the silversmiths studio, San Lorenzo, Milan. An exhibition at the V&A, ed. Evelina Bazzo, Milan, Electa, 1995. pp.112 and 134. |
| Collection | |
| Accession number | M.62-1996 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
| Record created | March 3, 2004 |
| Record URL |
Download as: JSON
