Teapot
Teapot
1922-1923 (made), 1916 (designed)
1922-1923 (made), 1916 (designed)
| Artist/Maker | |
| Place of origin |
Stylistically, this teapot appears to be an English interpretation of the aesthetic principles of the German Bauhaus. However, the patent details inscribed on the base reveal that the design was registered in 1916, three years before the Bauhaus existed. It was an engineer's solution to the problem of storing teapots in mass catering establishments. The spouts and handles on conventional teapots were vulnerable, and liable to be broken in crowded hotel pantries.
The design was registered by Robert Johnson of Leicester. In his patent application he specified that the teapot could be made in either ceramic or metal. His main intention was to produce a practical design. But when the Birmingham retail silversmith Napper & Davenport produced the teapot in silver it acquired an aesthetic importance that Johnson never envisaged. In the late 1920s the Cube Teapot Company was established in Leicester and produced a highly successful version in ceramic.
The design was registered by Robert Johnson of Leicester. In his patent application he specified that the teapot could be made in either ceramic or metal. His main intention was to produce a practical design. But when the Birmingham retail silversmith Napper & Davenport produced the teapot in silver it acquired an aesthetic importance that Johnson never envisaged. In the late 1920s the Cube Teapot Company was established in Leicester and produced a highly successful version in ceramic.
Object details
| Categories | |
| Object type | |
| Title | Teapot (generic title) |
| Materials and techniques | Silver, with hinged lid and black wooden handle and finial. A plain, cubed silver teapot with rounded corners, The flat, hinged lid, with the wooden finial set into a deep round depression, is set on the diagonal, with two corners cut off. The vertical black wooden handle form a corner with the body of the pot indented to allow space for gripping the handle. The spout likewise forms a corner with an indentation below it. Thus neither the handle, finial nor spout protrudes beyond the body of the cube. |
| Brief description | Teapot, silver with wooden details, Birmingham hallmarks for 1922-23, mark of Napper and Davenport, designed by Robert Johnson. |
| Physical description | Cube teapot. |
| Dimensions |
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| Style | |
| Marks and inscriptions |
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| Gallery label |
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| Object history | Stylistically this teapot would appear to be an English interpretation of the aesthetic principles being established by the German Bauhaus at that time. However, the patent details inscribed on the base reveal that the design was registered by Robert Johnson of Leicester in 1916, three years before the Bauhaus even existed. It was an engineer's solution to the problem of storing teapots in mass catering establishments where vulnerable spouts and handles on conventional teapots were liable to be broken in crowded hotel pantries. Johnson's patent application broadly specified the material; the teapot could be either made in ceramic or metal. His original intention was for a practical design. Its production in silver by the Birmingham retail silversmith, Napper & Davenport gave it an aesthetic importance that the original patentee never initially intended. In the late 1920s, a company was established in Leicester called the Cube Teapot Company which produced a highly successful version in ceramic. |
| Summary | Stylistically, this teapot appears to be an English interpretation of the aesthetic principles of the German Bauhaus. However, the patent details inscribed on the base reveal that the design was registered in 1916, three years before the Bauhaus existed. It was an engineer's solution to the problem of storing teapots in mass catering establishments. The spouts and handles on conventional teapots were vulnerable, and liable to be broken in crowded hotel pantries. The design was registered by Robert Johnson of Leicester. In his patent application he specified that the teapot could be made in either ceramic or metal. His main intention was to produce a practical design. But when the Birmingham retail silversmith Napper & Davenport produced the teapot in silver it acquired an aesthetic importance that Johnson never envisaged. In the late 1920s the Cube Teapot Company was established in Leicester and produced a highly successful version in ceramic. |
| Bibliographic reference | British Art and Design 1900-1960 ed. Carol Hogben, London, Victoria and Albert Museum, pp. 82-3 ill. ISBN 0905209575 |
| Collection | |
| Accession number | M.934-1983 |
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| Record created | March 3, 2004 |
| Record URL |
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