On display

We don’t have an image of this object online yet.

More about images

V&A Images may have a photograph that we can’t show online, but it may be possible to supply one to you. Email us at vaimages@vam.ac.uk for guidance about fees and timescales, quoting the accession number: M.17-1974

Mazer

Mazer
1921-1922 (made)
Artist/Maker
Place of origin

Mazer, maplewood with silver and enamel mounts. Enamelled print inside of St. Martin giving the cloak to a beggar. Rim of silver with rope moulding and frieze of inverted trefoils and engraved with medieval decoration and the inscription 'Acceptissima semper munera sunt auctor quai pretiosa facit' (The gifts which are most precious are those executed by the giver.' The bottom rim is inscribed 'I was wrought by Omar Ramsden for John Naphtali A.D. 1921'.

Object details

Category
Object type
TitleMazer (generic title)
Materials and techniques
Maplewood with silver and enamel mounts
Brief description
Mazer, Omar Ramsden, silver, enamel and maplewood, English, 1921
Physical description
Mazer, maplewood with silver and enamel mounts. Enamelled print inside of St. Martin giving the cloak to a beggar. Rim of silver with rope moulding and frieze of inverted trefoils and engraved with medieval decoration and the inscription 'Acceptissima semper munera sunt auctor quai pretiosa facit' (The gifts which are most precious are those executed by the giver.' The bottom rim is inscribed 'I was wrought by Omar Ramsden for John Naphtali A.D. 1921'.
Dimensions
  • Bowl, 11.0 diameter foot diameter: 22.3cm
  • Height: 12.0cm
Marks and inscriptions
  • London Hallmark 1921
  • Inscribed around rim: Acceptissima semper munera sunt auctor quai pretiosa facit
  • Inscribed around bottom rim: I was wrought by Omar Ramsden for John Naphtali A.D. 1921-red enamelled print inside of St. Martin giving the cloak to the beggar
Credit line
Given by Miss M.A.M. Hart
Object history
Hart Gift
Label: Omar Ramsden trained at the Sheffield School of Art but spent his career in London. He set up in partnership with Alwyn Carr in 1899. After the First World War, Carr left the partnership and Ramsden ran the studio alone. He was particularly successful in producing well made silver in a fashionable Arts and Crafts style. After Carr left the partnership, Ramsden became increasingly fascinated by medieval mazer bowls, producing a series modelled on those acquired by the Museum in 1906 (case 8 Room 65). Ramsden's interest in historic silver had been kindled by the antiquary, St John Hope who introduced him to the first Keeper of Metalwork, William Watts.
The scene on the 'print', the enamelled boss in the centre of the bowl is of St. Martin giving a cloak to a beggar.
Collection
Accession number
M.17-1974

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdMarch 3, 2004
Record URL
Download as: JSON