Akbar Receives the Iranian Ambassador Sayyid Beg in 1562
Painting
ca. 1590-95 (made)
ca. 1590-95 (made)
Artist/Maker | |
Place of origin |
This illustration to the Akbarnama (Book of Akbar) depicts the Mughal emperor Akbar (r.1556–1605) receiving the Iranian ambassador, Sayyid Beg, in 1562, during Akbar's seventh regnal year. Sayyid Beg was the cousin of Shah Tahmasp of Iran, being the son of the shah’s paternal uncle Ma’sum Beg. The emissary had been sent to convey the shah's condolences on the death of Akbar’s father, Humayun in 1556, and to congratulate the young ruler on his accession. Sayyid Beg brought ‘fiery Arabian steeds and fleet-footed Iranian and Anatolian horses and presents of precious textiles and rare objects’ [Wheeler M. Thackston, ed and translator, Abu’l-Fazl, The History of Akbar, Murty Classical Library of India, vol. 3 p. 246]. This is the right half of a double page designed by the Mughal court artist La’l. The left half (Museum no. IS.2:28-1896) shows the entourage of the ambassador bearing their gifts.
The Akbarnama was commissioned by Akbar as the official chronicle of his reign. It was written in Persian by his court historian and biographer, Abu’l Fazl, between 1590 and 1596, and the V&A’s partial copy of the manuscript is thought to have been illustrated between about 1592 and 1595. This is thought to be the earliest illustrated version of the text, and drew upon the expertise of some of the best royal artists of the time. Many of these are listed by Abu’l Fazl in the third volume of the text, the A’in-i Akbari, and some of these names appear in the V&A illustrations, written in red ink beneath the pictures, showing that this was a royal copy made for Akbar himself. After his death, the manuscript remained in the library of his son Jahangir, from whom it was inherited by Shah Jahan.
The Akbarnama was commissioned by Akbar as the official chronicle of his reign. It was written in Persian by his court historian and biographer, Abu’l Fazl, between 1590 and 1596, and the V&A’s partial copy of the manuscript is thought to have been illustrated between about 1592 and 1595. This is thought to be the earliest illustrated version of the text, and drew upon the expertise of some of the best royal artists of the time. Many of these are listed by Abu’l Fazl in the third volume of the text, the A’in-i Akbari, and some of these names appear in the V&A illustrations, written in red ink beneath the pictures, showing that this was a royal copy made for Akbar himself. After his death, the manuscript remained in the library of his son Jahangir, from whom it was inherited by Shah Jahan.
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Object details
Categories | |
Object type | |
Title | Akbar Receives the Iranian Ambassador Sayyid Beg in 1562 (generic title) |
Materials and techniques | Painted in opaque watercolour and gold on paper |
Brief description | Painting, Akbarnama, Akbar receives Iranian ambassador Sayyid Beg, outline by La'l, painting by Nand, opaque watercolour and gold on paper, Mughal, ca. 1590-95 |
Physical description | Painting, in opaque watercolour and gold on paper, the emperor Akbar receiving Sayyid Beg, the ambassador from Persia, at Agra, the imperial capital in 1562. The image is overlaid by two bands of text at the top and bottom, extending from the left-hand margin. |
Dimensions |
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Content description | The emperor Akbar receiving Sayyid Beg, the ambassador from Persia, at Agra, the imperial capital in 1562. |
Styles | |
Marks and inscriptions | (Contemporary attribution in Persian, written in red ink below the painting)
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Credit line | Purchased from Mrs. Clarke, The Dingle, Sydenham Hill, S. E |
Object history | The Akbarnama, or "Book of Akbar", was commissioned by the emperor Akbar as the official chronicle of his reign. It was written by 1590 and 1596 and is thought to have been illustrated between ca. 1592 and 1594 by at least forty-nine different artists from Akbar's studio. After Akbar's death in 1605, the manuscript remained in the library of his son, Jahangir (r.1605-1627) and later Shah Jahan (r.1628-1658). The Victoria and Albert Museum purchased it in 1896 from Mrs. Frances Clarke, the widow of Major General John Clarke, an official who had been the Commissioner in Oudh province between 1858 and 1862. Historical significance: It is thought to be the first illustrated copy of the Akbarnama. It drew upon the expertise of some of the best royal painters of the time, many of whom receive special mention by Abu'l Fazl in the A'in-i-Akbari, the third volume of the Akbarnama. The inscriptions in red ink on the bottom of the paintings refer to the artists and indicate that this was a royal copy. Purchased from Mrs. Clarke, The Dingle, Sydenham Hill, S. E. This acquisition information reflects that found in the Museum records (Asia Department registers and/or Central Inventory) as part of a 2023 provenance research project. Registered Papers: 85488/95 |
Production | Composition by La'l, colours and details painted by Nand. Attribution place is likely to be Delhi, Agra or Fatehpur Sikri. |
Subjects depicted | |
Place depicted | |
Association | |
Literary reference | Akbarnama |
Summary | This illustration to the Akbarnama (Book of Akbar) depicts the Mughal emperor Akbar (r.1556–1605) receiving the Iranian ambassador, Sayyid Beg, in 1562, during Akbar's seventh regnal year. Sayyid Beg was the cousin of Shah Tahmasp of Iran, being the son of the shah’s paternal uncle Ma’sum Beg. The emissary had been sent to convey the shah's condolences on the death of Akbar’s father, Humayun in 1556, and to congratulate the young ruler on his accession. Sayyid Beg brought ‘fiery Arabian steeds and fleet-footed Iranian and Anatolian horses and presents of precious textiles and rare objects’ [Wheeler M. Thackston, ed and translator, Abu’l-Fazl, The History of Akbar, Murty Classical Library of India, vol. 3 p. 246]. This is the right half of a double page designed by the Mughal court artist La’l. The left half (Museum no. IS.2:28-1896) shows the entourage of the ambassador bearing their gifts. The Akbarnama was commissioned by Akbar as the official chronicle of his reign. It was written in Persian by his court historian and biographer, Abu’l Fazl, between 1590 and 1596, and the V&A’s partial copy of the manuscript is thought to have been illustrated between about 1592 and 1595. This is thought to be the earliest illustrated version of the text, and drew upon the expertise of some of the best royal artists of the time. Many of these are listed by Abu’l Fazl in the third volume of the text, the A’in-i Akbari, and some of these names appear in the V&A illustrations, written in red ink beneath the pictures, showing that this was a royal copy made for Akbar himself. After his death, the manuscript remained in the library of his son Jahangir, from whom it was inherited by Shah Jahan. |
Bibliographic references |
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Other number | 106 - Inscription/original number |
Collection | |
Accession number | IS.2:27-1896 |
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Record created | October 23, 1998 |
Record URL |
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