Charles V, his brother Ferdinand I, and sister Maria
Medal
1532 (made)
1532 (made)
Artist/Maker | |
Place of origin |
This medal depicts Charles V (1500-1558), who became Emperor of Spain in 1516 and Emperor of Gernany in 1519. On the reverse is Mary of Austria. It is by Peter Flötner (ca. 1485-1546). Flötner was a sculptor, medallist, cabinetmaker, woodcutter and designer. He worked initially in Augsburg from around 1512 to 1516 before moving to Nuremberg where he became a citizen in 1522. Changes in Flötner's style after around 1530 suggest he may have travelled to Italy. His workshop catered for bell-founders, goldsmiths, pewterers and medallists supplying them with plaques made of lead, tin, bronze and solnhofen limestone. They were used like pattern books. The plaques were arranged in lines and a clay or plaster mould was made from them. In these moulds wax models were cast which were then applied to the outside of the wax models of bells, mortars and tankards before they were cast in metal.
Object details
Categories | |
Object type | |
Title | Charles V, his brother Ferdinand I, and sister Maria (generic title) |
Materials and techniques | Silver |
Brief description | Medal, silver, Charles V, his brother Ferdinand I, and sister Maria, by Peter Flötner, Germany, 1532 |
Physical description | Medal depicts bust to right of Charles nad Ferdinand, Charles with beard, Ferdinand without. Both wearing sleeved mantles. Inscription. On the reverse the bust ot left of Mary of Austria. |
Dimensions |
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Marks and inscriptions |
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Credit line | Salting Bequest |
Object history | Provenance: Salting Bequest. George Salting (b. 1836; d. 1909), an Australian who settled in England, bequeathed a large collection of works decorative art to the Museum in 1909. |
Subjects depicted | |
Summary | This medal depicts Charles V (1500-1558), who became Emperor of Spain in 1516 and Emperor of Gernany in 1519. On the reverse is Mary of Austria. It is by Peter Flötner (ca. 1485-1546). Flötner was a sculptor, medallist, cabinetmaker, woodcutter and designer. He worked initially in Augsburg from around 1512 to 1516 before moving to Nuremberg where he became a citizen in 1522. Changes in Flötner's style after around 1530 suggest he may have travelled to Italy. His workshop catered for bell-founders, goldsmiths, pewterers and medallists supplying them with plaques made of lead, tin, bronze and solnhofen limestone. They were used like pattern books. The plaques were arranged in lines and a clay or plaster mould was made from them. In these moulds wax models were cast which were then applied to the outside of the wax models of bells, mortars and tankards before they were cast in metal. |
Bibliographic references |
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Collection | |
Accession number | A.385-1910 |
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Record created | February 25, 2004 |
Record URL |
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