Corbel thumbnail 1
Corbel thumbnail 2
Not currently on display at the V&A

Corbel

ca. 1500-1520 (carved)
Artist/Maker
Place of origin

Two flying angels, one bearing the cross, the other the column of the flagellation, hold a shield at the centre of the console on which are carved the scourge and flail with which Christ was beaten before his crucifixion. The console originally supported a seated figure of Christ crowned with thorns (now lost), of a type known in France as the Christ de Pitié. Such sculptures were particularly appropriately placed in hospitals and poorhouses, where those who passed by could offer prayers to Christ and place their own suffering in the context of one who had endured pain on their behalf.


Object details

Categories
Object type
Materials and techniques
Carved micritic limestone with traces of paint
Brief description
Console with angels holding the instruments of the Passion, micritic limestone, France (southern Champagne), about 1500-20
Physical description
Corbel or console of micritic limestone with traces of paint, of angels holding the instruments of the passion. Two flying angels, one bearing the cross, the other the column of the flagellation, hold a shield at the centre of the console on which are carved the scourge and flail with which Christ was beaten before his crucifixion. The console originally supported a seated figure of Christ (now lost), of a type known in France as the Christ de Pitié. Such figures were particularly appropriately placed in hospitals and poorhouses, where those who passed by could offer prayers to Christ and place their own suffering in the context of one who had endured pain on their behalf.
Dimensions
  • Abacus height: 12in
  • Width: 16.75in
  • Depth: 12.25in
Gallery label
Console with Angels Holding the Instruments of the Passion Micritic limestone with traces of paint French (southern Chapagne); about 1500-20 Given by Mr J.H. Fitzhenry 904-1901 Corbel or console of micritic limestone with traces of paint, of angels holding the instruments of the passion. Two flying angels, one bearing the cross, the other the column of the flagellation, hold a shield at the centre of the console on which are carved the scourge and flail with which Christ was beaten before his crucifixion. The console originally supported a seated figure of Christ (now lost), of a type known in France as the Christ de Pitié. Such figures were particularly appropriately placed in hospitals and poorhouses, where those who passed by could offer prayers to Christ and place their own suffering in the context of one who had endured pain on their behalf.(07/2000)
Credit line
Given by J. H. Fitzhenry
Subjects depicted
Summary
Two flying angels, one bearing the cross, the other the column of the flagellation, hold a shield at the centre of the console on which are carved the scourge and flail with which Christ was beaten before his crucifixion. The console originally supported a seated figure of Christ crowned with thorns (now lost), of a type known in France as the Christ de Pitié. Such sculptures were particularly appropriately placed in hospitals and poorhouses, where those who passed by could offer prayers to Christ and place their own suffering in the context of one who had endured pain on their behalf.
Bibliographic references
  • List of Works of Art acquired by the Victoria and Albert Museum during the Year 1901 arranged according to the Dates of Acquisition. London: Her Majesty's Stationary Office. Wyman and Sons. 1904. pp.153
  • Williamson, Paul. 'Loose Ends and a Discovery: Cataloguing French Late Medieval Sculpture' The Sculpture Journal. III. 1999. pp.3-5. figs, 3,4, and 5.
Collection
Accession number
904-1901

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Record createdFebruary 20, 2004
Record URL
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