Painting
ca. 1590-95 (made)
Artist/Maker | |
Place of origin |
In this right half of a double composition (the other half is IS.2:20-1896), the rebel brothers Ali Quli Khan and Bahadur Khan submit to Akbar in 1561. They are shown handing over elephants and other booty captured from the Afghans. The artists were Kesav, who was responsible for designing the composition over two pages, and Chatr, who did the painting of this half.
The Akbarnama (Book of Akbar) was commissioned by the emperor Akbar as the official chronicle of his reign and was written by Abu'l Fazl between 1590 and 1596. It is thought to have been illustrated between c. 1592 and 1594 by at least forty-nine different artists from Akbar's Ketabkhana, or House of Books, where manuscripts were stored as well as created. After Akbar's death in 1605, the manuscript remained in the library of his son, Jahangir (r. 1605-27) and later that of Shah Jahan (r. 1628-58). The Museum purchased it in 1896 from the widow of Major General John Clarke. He had been the Commissioner in Oudh province between 1858 and 1862. The V&A manuscript is thought to be the earliest illustrated copy of the Akbarnama, preserved only in partial form, and drew upon the expertise of some of the best royal painters of the time, many of whom receive special mention by Abu'l Fazl in the third volume of the Akbarnama, the A'in-i-Akbari ("Institutes of Akbar"). The Persian inscriptions in red ink on the bottom of the paintings name the artists.
The Akbarnama (Book of Akbar) was commissioned by the emperor Akbar as the official chronicle of his reign and was written by Abu'l Fazl between 1590 and 1596. It is thought to have been illustrated between c. 1592 and 1594 by at least forty-nine different artists from Akbar's Ketabkhana, or House of Books, where manuscripts were stored as well as created. After Akbar's death in 1605, the manuscript remained in the library of his son, Jahangir (r. 1605-27) and later that of Shah Jahan (r. 1628-58). The Museum purchased it in 1896 from the widow of Major General John Clarke. He had been the Commissioner in Oudh province between 1858 and 1862. The V&A manuscript is thought to be the earliest illustrated copy of the Akbarnama, preserved only in partial form, and drew upon the expertise of some of the best royal painters of the time, many of whom receive special mention by Abu'l Fazl in the third volume of the Akbarnama, the A'in-i-Akbari ("Institutes of Akbar"). The Persian inscriptions in red ink on the bottom of the paintings name the artists.
Object details
Categories | |
Object type | |
Materials and techniques | Painted in opaque watercolour and gold on paper |
Brief description | Painting, Akbarnama, submission of the rebel brothers Ali Quli and Bahadur Khan, outline by Kesu, colouring by Chatr, opaque watercolour and gold on paper, Mughal, ca. 1590-95 |
Physical description | Painting, in opaque watercolour and gold on paper, right half of double composition, this painting depicts the submission of the rebel brothers Ali Quli Khan and Bahadur Khan to Akbar in 1561. They are shown handing over elephants and other booty captured from the Afghans. |
Dimensions |
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Content description | The submission of the rebel brothers Ali Quli Khan and Bahadur Khan to Akbar in 1561. They are shown handing over elephants and other booty captured from the Afghans. |
Styles | |
Marks and inscriptions | (Contemporary librarian's attribution in Persian written beneath the image at the bottom of the page in red ink. The other side of the double-page composition (IS.20-1896] specifies that the artist responsible for the composition [tarh] was 'Kesu Kalan', ie Kesu the Elder. )
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Credit line | Purchased from Mrs. Clarke, The Dingle, Sydenham Hill, S. E |
Object history | The Akbarnama, or "Book of Akbar", was commissioned by the emperor Akbar as the official chronicle of his reign. It was written by 1590 and 1596 and is thought to have been illustrated between ca. 1592 and 1594 by at least forty-nine different artists from Akbar's studio. After Akbar's death in 1605, the manuscript remained in the library of his son, Jahangir (r.1605-1627) and later Shah Jahan (r.1628-1658). The Victoria and Albert Museum purchased it in 1896 from Mrs. Frances Clarke, the widow of Major General John Clarke, an official who had been the Commissioner in Oudh province between 1858 and 1862. Historical significance: It is thought to be the first illustrated copy of the Akbarnama. It drew upon the expertise of some of the best royal painters of the time, many of whom receive special mention by Abu'l Fazl in the A'in-i-Akbari, the third volume of the Akbarnama. The inscriptions in red ink on the bottom of the paintings refer to the artists and indicate that this was a royal copy. Purchased from Mrs. Clarke, The Dingle, Sydenham Hill, S. E. This acquisition information reflects that found in the Museum records (Asia Department registers and/or Central Inventory) as part of a 2023 provenance research project. Registered Papers: 85488/95 |
Production | Composition by Kesav; painted by Chatr. |
Subjects depicted | |
Association | |
Literary reference | Akbarnama |
Summary | In this right half of a double composition (the other half is IS.2:20-1896), the rebel brothers Ali Quli Khan and Bahadur Khan submit to Akbar in 1561. They are shown handing over elephants and other booty captured from the Afghans. The artists were Kesav, who was responsible for designing the composition over two pages, and Chatr, who did the painting of this half. The Akbarnama (Book of Akbar) was commissioned by the emperor Akbar as the official chronicle of his reign and was written by Abu'l Fazl between 1590 and 1596. It is thought to have been illustrated between c. 1592 and 1594 by at least forty-nine different artists from Akbar's Ketabkhana, or House of Books, where manuscripts were stored as well as created. After Akbar's death in 1605, the manuscript remained in the library of his son, Jahangir (r. 1605-27) and later that of Shah Jahan (r. 1628-58). The Museum purchased it in 1896 from the widow of Major General John Clarke. He had been the Commissioner in Oudh province between 1858 and 1862. The V&A manuscript is thought to be the earliest illustrated copy of the Akbarnama, preserved only in partial form, and drew upon the expertise of some of the best royal painters of the time, many of whom receive special mention by Abu'l Fazl in the third volume of the Akbarnama, the A'in-i-Akbari ("Institutes of Akbar"). The Persian inscriptions in red ink on the bottom of the paintings name the artists. |
Associated object | |
Bibliographic reference | STRONGE, Susan. Painting for the Mughal Emperor: The Art of the Book 1560 – 1660 London : V&A Publications, 2002. 192p, ill. ISBN 1 85177 358 4.
p. 47, pl. 30 |
Other number | 100 - Inscription/original number |
Collection | |
Accession number | IS.2:19-1896 |
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Record created | October 13, 1998 |
Record URL |
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