Photographic Study [Clementina Maude, 5 Princes Gardens]
Photograph
ca.1861-62 (photographed)
ca.1861-62 (photographed)
Artist/Maker | |
Place of origin |
This is one of Lady Hawarden's finest and most characteristic photographs. Her daughter Clementina is shown seated in front of a mirror, gazing intently at her reflection. Beyond her in the mirror can be seen the balustrade of the balcony of the family house at 5 Princes Gardens, South Kensington, London. Beyond that, out of focus but still visible, are houses across Princes Gardens. Light from the French windows leading to the balcony strikes the young woman's bare shoulder and white blouse. Such bold lighting is typical of Hawarden's work and distinguishes her from most of her contemporaries. The subject of young women gazing into mirrors in reverie became a favourite subject of the painter James McNeill Whistler: it is likely that he knew Hawarden's photographs through their mutual friend Seymour Haden.
Object details
Categories | |
Object type | |
Title | Photographic Study [Clementina Maude, 5 Princes Gardens] (assigned by artist) |
Materials and techniques | Photograph |
Brief description | 19thC, duplicate of D 427; Hawarden C, D 428, 5 Princes Gardens, Clementina, c. 1862 |
Physical description | Sepia photograph mounted on card. The photograph shows a young woman, a shoulder bared, gazing into a cheval glass. |
Dimensions |
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Style | |
Production type | Unlimited edition |
Credit line | Given Lady Clementina Tottenham, 1939 |
Production | Reason For Production: Exhibition Reason For Production: Retail |
Subjects depicted | |
Place depicted | |
Summary | This is one of Lady Hawarden's finest and most characteristic photographs. Her daughter Clementina is shown seated in front of a mirror, gazing intently at her reflection. Beyond her in the mirror can be seen the balustrade of the balcony of the family house at 5 Princes Gardens, South Kensington, London. Beyond that, out of focus but still visible, are houses across Princes Gardens. Light from the French windows leading to the balcony strikes the young woman's bare shoulder and white blouse. Such bold lighting is typical of Hawarden's work and distinguishes her from most of her contemporaries. The subject of young women gazing into mirrors in reverie became a favourite subject of the painter James McNeill Whistler: it is likely that he knew Hawarden's photographs through their mutual friend Seymour Haden. |
Collection | |
Accession number | 457:177-1968 |
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Record created | February 12, 2004 |
Record URL |
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