The Ponds at Obtevoz (Rhone) thumbnail 1
Image of Gallery in South Kensington
Request to view at the Prints & Drawings Study Room, level F , Case X, Shelf 101

The Ponds at Obtevoz (Rhone)

Photograph
ca. 1855 (photographed)
Artist/Maker
Place of origin

Andre Giroux was the son of a camera maker (who provided the equipment for Daguerre, the French inventor of photography). Andre Giroux ws also a painter of distinction. When he made photographs he worked manually on the negatives to create the painterly effects we see in The Ponds at Obtevoz - for example, adding texture to the water at the centre-right and highlights in the grass, rushes and the leaves of the pollarded tree in the foreground. He also added clouds by hand, possible using smoke from a candle. Finally, he printed the work exquisitely, gold-toning it to give a rich purplish colour. He exhibited at the 1855 international exhibition in Paris where his photographs may have been seen by the British connoisseur Chauncy Hare Townshend. Townshend bequeathed this and other photographs to the Museum in 1869.


Object details

Categories
Object type
TitleThe Ponds at Obtevoz (Rhone)
Materials and techniques
Photograph
Brief description
Giroux, A. Landscape c. 1855
Physical description
Purplish-sepia photograph of a marshy landscape under a cloudy sky
Dimensions
  • Image length: 37cm
  • Image height: 27.5cm
  • Sheet length: 40.7cm
  • Sheet height: 32.1cm
Style
Production typeUnlimited edition
Marks and inscriptions
A.Giroux (Stamp; Mount, below print)
Production
Reason For Production: Exhibition
Reason For Production: Retail
Summary
Andre Giroux was the son of a camera maker (who provided the equipment for Daguerre, the French inventor of photography). Andre Giroux ws also a painter of distinction. When he made photographs he worked manually on the negatives to create the painterly effects we see in The Ponds at Obtevoz - for example, adding texture to the water at the centre-right and highlights in the grass, rushes and the leaves of the pollarded tree in the foreground. He also added clouds by hand, possible using smoke from a candle. Finally, he printed the work exquisitely, gold-toning it to give a rich purplish colour. He exhibited at the 1855 international exhibition in Paris where his photographs may have been seen by the British connoisseur Chauncy Hare Townshend. Townshend bequeathed this and other photographs to the Museum in 1869.
Bibliographic reference
p. 104 Paloma Alarcó. The Impressionists and photography. [Madrid, Spain] : Museo Nacional Thyssen-Bornemisza, [2019]‎. ISBN: 9788417173340
Collection
Accession number
68011

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdFebruary 11, 2004
Record URL
Download as: JSONIIIF Manifest