David Bailey's box of pin-ups
Photograph
1965 (printed and published)
1965 (printed and published)
| Artist/Maker | |
| Place of origin |
David Bailey rose to fame as a fashion photographer in the early 1960s, his photographs. He published 'David Bailey's box of pin-ups' in 1965 as a loose portfolio of 36 portraits of the mainly-male fashionable elite that, as the cover description states, 'belong to Bailey's own world of fashion, pop music and the Ad Lib [nightclub]'. Each portrait is accompanied by notes by Francis Wyndham.
Surprisingly, only four of the pin-ups are women, all of whom are models. As the notes explain, 'in the age of Mick Jagger, it is the boys who are the pin-ups'. Brian Epstein was the Beatles' first manager, credited with 'discovering' them in Liverpool's Cavern club. Here he is portrayed as 'the angel (or devil?) behind the Beatles boom'.
The portraits constitute a celebration of the growing celebrity culture of the Sixties, and many of them have become the definitive images of key figures of cultural life in London during the Swinging Sixties.
Surprisingly, only four of the pin-ups are women, all of whom are models. As the notes explain, 'in the age of Mick Jagger, it is the boys who are the pin-ups'. Brian Epstein was the Beatles' first manager, credited with 'discovering' them in Liverpool's Cavern club. Here he is portrayed as 'the angel (or devil?) behind the Beatles boom'.
The portraits constitute a celebration of the growing celebrity culture of the Sixties, and many of them have become the definitive images of key figures of cultural life in London during the Swinging Sixties.
Object details
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| Titles |
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| Materials and techniques | Half-tone print |
| Brief description | Brian Epstein, half-tone print from 'David Bailey's box of pin-ups', by David Bailey, published 1965 |
| Physical description | Black and white half-tone print of a young man in a suit with black tie against a white backdrop. A close-up of his head and shoulders is montaged with a three-quarter length blurred image of him with arms folded. |
| Dimensions |
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| Style | |
| Marks and inscriptions |
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| Credit line | Given by Mark Haworth-Booth |
| Object history | David Bailey rose to fame as a fashion photographer in the early 1960s, his photographs. He published 'David Bailey's box of pin-ups' in 1965 as a loose portfolio of 36 portraits of the mainly-male fashionable elite that, as the cover description states, 'belong to Bailey's own world of fashion, pop music and the Ad Lib [nightclub]'. Surprisingly, only four of the pin-ups are women, all of whom are models. As the notes explain, 'in the age of Mick Jagger, it is the boys who are the pin-ups'. The portraits constitute a celebration of the growing celebrity culture of the Sixties, and many of them have become the definitive images of key figures of cultural life in London during the Swinging Sixties. |
| Subject depicted | |
| Summary | David Bailey rose to fame as a fashion photographer in the early 1960s, his photographs. He published 'David Bailey's box of pin-ups' in 1965 as a loose portfolio of 36 portraits of the mainly-male fashionable elite that, as the cover description states, 'belong to Bailey's own world of fashion, pop music and the Ad Lib [nightclub]'. Each portrait is accompanied by notes by Francis Wyndham. Surprisingly, only four of the pin-ups are women, all of whom are models. As the notes explain, 'in the age of Mick Jagger, it is the boys who are the pin-ups'. Brian Epstein was the Beatles' first manager, credited with 'discovering' them in Liverpool's Cavern club. Here he is portrayed as 'the angel (or devil?) behind the Beatles boom'. The portraits constitute a celebration of the growing celebrity culture of the Sixties, and many of them have become the definitive images of key figures of cultural life in London during the Swinging Sixties. |
| Bibliographic references |
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| Collection | |
| Accession number | E.2047:4-2004 |
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| Record created | February 10, 2004 |
| Record URL |
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