Not on display

Netsuke

ca. 1850-1900 (made)
Artist/Maker
Place of origin

The netsuke is a toggle. Japanese men used netsuke to suspend various pouches and containers from their sashes by a silk cord. Netsuke had to be small and not too heavy, yet bulky enough to do the job. They needed to be compact with no sharp protruding edges, yet also strong and hard-wearing. Above all, they had to have the means for attaching a cord. Netsuke were made in a variety of forms, the most widely appreciated being the katabori (shape carving), a three-dimensional carving such as this one.

From the mid 18th century onwards, customers increasingly demanded imaginative and innovative netsuke. Some of these netsuke had hidden or surprise elements, as in this example in the form of a temple bell, around which a dragon is coiled. A trick mechanism allows the bell to open, revealing a young woman dancing inside. This combination of motifs clearly alludes to the story of the Dojoji Temple bell. According to this tale of vengeful female jealousy, Kiyohime, the beautiful young daughter of an innkeeper, fell in love with a priest, Anchin, who scorned her persistent advances. The furious Kiyohime first transformed herself into a witch, then a dragon. When Anchin took refuge under the great bronze bell of the temple, she used her magical powers to force the bell to crash to the ground, trapping Anchin inside. At this, she coiled herself round the bell, creating such an intense heat that Anchin was burned to death.

Object details

Category
Object type
Materials and techniques
Carved ivory
Brief description
ca. 1850-1900
Physical description
Netsuke of a Dojoji Temple bell and a coiled dragon in ivory, signed Kagetoshi,
Dimensions
  • Height: 3.4cm
Style
Credit line
Salting Bequest
Object history
Bequeathed by Mr. George Salting, accessioned in 1910. This acquisition information reflects that found in the Asia Department registers, as part of a 2022 provenance research project.
Subjects depicted
Summary
The netsuke is a toggle. Japanese men used netsuke to suspend various pouches and containers from their sashes by a silk cord. Netsuke had to be small and not too heavy, yet bulky enough to do the job. They needed to be compact with no sharp protruding edges, yet also strong and hard-wearing. Above all, they had to have the means for attaching a cord. Netsuke were made in a variety of forms, the most widely appreciated being the katabori (shape carving), a three-dimensional carving such as this one.

From the mid 18th century onwards, customers increasingly demanded imaginative and innovative netsuke. Some of these netsuke had hidden or surprise elements, as in this example in the form of a temple bell, around which a dragon is coiled. A trick mechanism allows the bell to open, revealing a young woman dancing inside. This combination of motifs clearly alludes to the story of the Dojoji Temple bell. According to this tale of vengeful female jealousy, Kiyohime, the beautiful young daughter of an innkeeper, fell in love with a priest, Anchin, who scorned her persistent advances. The furious Kiyohime first transformed herself into a witch, then a dragon. When Anchin took refuge under the great bronze bell of the temple, she used her magical powers to force the bell to crash to the ground, trapping Anchin inside. At this, she coiled herself round the bell, creating such an intense heat that Anchin was burned to death.
Collection
Accession number
A.813-1910

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdFebruary 9, 2004
Record URL
Download as: JSONIIIF Manifest