Stationery Box thumbnail 1
Stationery Box thumbnail 2
Not currently on display at the V&A

Stationery Box

1866 (made)
Artist/Maker
Place of origin

As is confirmed by the maker's inscription, this stationery box was made in Nagina, a town in the Bijnor District of the United Provinces celebrated for its high quality cabinetwork in ebony and ebonized wood. The artists who made such pieces were Muslim and the carved decoration of their wares consisted principally of floral and geometric motifs, sometimes with finely carved inscriptions and, as on this piece, verses of poetry in Persian. The high quality of such ariticles confounded contemporary critics, who were astonished that superior objects of this type were being made at such a distance from both raw materials and patronage.


Object details

Categories
Object type
Parts
This object consists of 3 parts.

  • Stationery Box
  • Key
  • Key
Materials and techniques
Ebony, Carved
Brief description
Stationery Box, ebony,carved, Nagina, 1866.
Physical description
Stationaery box in ebony, rectangular with a sloping lid and fined carved with foliate and geometric designs with silver lock, hinges and mounts.
carved and partly inlaid with ivory
Dimensions
  • Height: 15.5cm
  • Width: 27.5cm
  • Depth: 18.4cm
Marks and inscriptions
'Oh! On the swfit lofty sphere is your threshold; you are watchman over the land and the land is watchman over you. Made by Murad Bakhsh son of Muhammad...resident of Nagina in the zila of Bijnur, in the year AD 1866 corresponding to the year 1283 hijri (1) Decoration 2) Makers's mark)
Object history
Transferred from the India Museum in 1879. 1880 Register Entry: [Room 8. Wall Case 30.] '01,168. STATIONERY CASE. Carved ebony; Bijnore. 7,385'
Summary
As is confirmed by the maker's inscription, this stationery box was made in Nagina, a town in the Bijnor District of the United Provinces celebrated for its high quality cabinetwork in ebony and ebonized wood. The artists who made such pieces were Muslim and the carved decoration of their wares consisted principally of floral and geometric motifs, sometimes with finely carved inscriptions and, as on this piece, verses of poetry in Persian. The high quality of such ariticles confounded contemporary critics, who were astonished that superior objects of this type were being made at such a distance from both raw materials and patronage.
Bibliographic reference
Jaffer, Amin Furniture from British India and Ceylon: A Catalogue of the Collections in the Victoria and Albert Museum and the Peabody Essex Museum. London : V&A Publications, 2001. 416 p., ill. ISBN 1851773185, p.266, pl.93.
Other number
7385 - India Museum Slip Book
Collection
Accession number
01168:1 to 3/(IS)

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Record createdFebruary 9, 2004
Record URL
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