Monstrance
ca. 1630 (made)
Artist/Maker | |
Place of origin |
A monstrance originally contained a relic exposed to public view. Later it developed into a standing vessel with transparent centrepiece, in which the consecrated host (in Roman Catholic theology, the bread transformed into the body of Christ) was displayed during Mass. Either a receptacle or crescent-shaped support, called a lunette, holds the host.
The sun monstrance with a radiating sunburst surrounding the host was introduced during the Counter Reformation when much Catholic church silver, particularly in southern Europe, was designed to create powerful visual effects. The arms on the foot are those of the Discalced Carmelites.
The sun monstrance with a radiating sunburst surrounding the host was introduced during the Counter Reformation when much Catholic church silver, particularly in southern Europe, was designed to create powerful visual effects. The arms on the foot are those of the Discalced Carmelites.
Object details
Categories | |
Object type | |
Materials and techniques | Silver-gilt, enamels, crystals and wood |
Brief description | Silver-gilt, set with enamels and crystals, Spain, ca. 1620, unmarked. |
Physical description | Gloria for host, glazed frame with rays set with pastes. Stem formed of 2 urns. Round moulded foot. The whole decorated with pounced ornament, foot and base set with bosses of enamel and Carmelite arms. |
Dimensions |
|
Marks and inscriptions |
|
Gallery label |
|
Credit line | Alfred Williams Hearn Gift |
Summary | A monstrance originally contained a relic exposed to public view. Later it developed into a standing vessel with transparent centrepiece, in which the consecrated host (in Roman Catholic theology, the bread transformed into the body of Christ) was displayed during Mass. Either a receptacle or crescent-shaped support, called a lunette, holds the host. The sun monstrance with a radiating sunburst surrounding the host was introduced during the Counter Reformation when much Catholic church silver, particularly in southern Europe, was designed to create powerful visual effects. The arms on the foot are those of the Discalced Carmelites. |
Bibliographic reference | Oman, Charles. The Golden Age of Hispanic Silver: 1400-1665. London: Her Majesty's Stationery Office, 1968. |
Collection | |
Accession number | M.36-1923 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | February 9, 2004 |
Record URL |
Download as: JSONIIIF Manifest