Bracket
1730-1760 (made)
| Artist/Maker | |
| Place of origin |
Brackets of this type were fixed to the wall to support a vase or a piece of sculpture, and were often used in pairs. It is one of several hundred carvings given to the Museum in 1921 by Sir Charles Allom and his wife, in memory of their son, who died in the First World War. Sir Charles headed White Allom & Co., one of the most successful firms of architectural decorators in Britain, specialising in the copying of historic styles. Between 1900 and 1914 he also began to work for clients in the United States and after the First World War he spent time in both countries. The collection of carvings seems to have been put together as a study collection for his son, perhaps in the expectation that he would follow in his father's footsteps and take over the firm.
Object details
| Categories | |
| Object type | |
| Materials and techniques | Carved lime |
| Brief description | Bracket of carved limewood, with symmetrically scrolling foliage, probably originally gilded |
| Physical description | Bracket of limewood, the symmetrical design of scrolling foliage; the shelf to the bracket is missing. The bracket was probably gilded originally. |
| Dimensions |
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| Style | |
| Credit line | Given by Sir Charles and Lady Allom in memory of their son, Lieutenant Cedric Allom RFA |
| Object history | This bracket forms part of a collection of carving that was presented to the Museum by Sir Charles and Lady Allom of Trowbridge, Herts, in memory of thier only son, a student of Wellington College and Trinity College Cambridge, who fell in the Ypres Salient on October 9th 1917 and died of wounds, October 20th aged 21 years. |
| Summary | Brackets of this type were fixed to the wall to support a vase or a piece of sculpture, and were often used in pairs. It is one of several hundred carvings given to the Museum in 1921 by Sir Charles Allom and his wife, in memory of their son, who died in the First World War. Sir Charles headed White Allom & Co., one of the most successful firms of architectural decorators in Britain, specialising in the copying of historic styles. Between 1900 and 1914 he also began to work for clients in the United States and after the First World War he spent time in both countries. The collection of carvings seems to have been put together as a study collection for his son, perhaps in the expectation that he would follow in his father's footsteps and take over the firm. |
| Collection | |
| Accession number | W.568-1921 |
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| Record created | February 5, 2004 |
| Record URL |
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