Table Leg
1730-1760 (made)
Artist/Maker | |
Place of origin |
This carved oak table log shows the skill of a carver in the mid-18th century. It would originally have been covered with gesso (a mixture of chalk and glue) and would have had further detailed carving added to this layer before it was painted or gilded. It is one of several hundred carvings given to the Museum in 1921 by Sir Charles Allom and his wife, in memory of their son, who died in the First World War. From 1893 Sir Charles headed White Allom & Co., one of the most successful firms of architectural decorators in Britain, specialising in the copying of historic styles. Between 1900 and 1914 he also began to work for clients in the United States and after the First World War he spent time in both countries. The collection of carvings seems to have been put together as a study collection for his son, perhaps in the expectation that he would follow in his father's footsteps and take over the firm.
Object details
Categories | |
Object type | |
Materials and techniques | Carved oak |
Brief description | Section of a table leg, of oak, carved with scrolls enriched with shells and foliage |
Physical description | Section of a table leg, of oak, carved with scrolls enriched with shells and foliage |
Dimensions |
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Style | |
Credit line | Given by Sir Charles and Lady Allom in memory of their son, Lieutenant Cedric Allom RFA |
Summary | This carved oak table log shows the skill of a carver in the mid-18th century. It would originally have been covered with gesso (a mixture of chalk and glue) and would have had further detailed carving added to this layer before it was painted or gilded. It is one of several hundred carvings given to the Museum in 1921 by Sir Charles Allom and his wife, in memory of their son, who died in the First World War. From 1893 Sir Charles headed White Allom & Co., one of the most successful firms of architectural decorators in Britain, specialising in the copying of historic styles. Between 1900 and 1914 he also began to work for clients in the United States and after the First World War he spent time in both countries. The collection of carvings seems to have been put together as a study collection for his son, perhaps in the expectation that he would follow in his father's footsteps and take over the firm. |
Collection | |
Accession number | W.558-1921 |
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Record created | February 5, 2004 |
Record URL |
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