Kettle
ca. 1700 (made)
Artist/Maker | |
Place of origin |
The kettle has very thin walls made from sheet brass. The brass was ‘raised’ or hammered in a series of shaped dies of decreasing diameter. The base of the kettle was soldered on afterwards. The tradition of dragon-head spouts goes back 300 years.
Brass is an alloy or mixture of copper and zinc: 83% copper produces a golden lustre; 90% gives a reddish glow. Brass melts at 850ºC and can be cast into patterned moulds or into sheets which are hammered into shape.
The V&A’s brass collection covers a wide range of dates and styles – from medieval water jugs with lion-head spouts to sleek warming dishes of the early 20th century. The market for brass was large. It included mass-produced goods, lighting for middle-class houses and clocks for the aristocracy. Most of these items were not for display, but were functional. People used brass fireguards, soap containers and tobacco boxes in their homes. Brass candlesticks and holy-water buckets played their part in church services.
Before 1600, European brass manufacture flourished in Nuremberg, where councils protected local trade zealously. Venice was the centre of trade with Muslim countries to the east, whose decorative styles influenced Italian engravers. In England the industry developed slowly until 1700, when new foundries in Birmingham and Bristol rapidly expanded brass manufacture.
Brass is an alloy or mixture of copper and zinc: 83% copper produces a golden lustre; 90% gives a reddish glow. Brass melts at 850ºC and can be cast into patterned moulds or into sheets which are hammered into shape.
The V&A’s brass collection covers a wide range of dates and styles – from medieval water jugs with lion-head spouts to sleek warming dishes of the early 20th century. The market for brass was large. It included mass-produced goods, lighting for middle-class houses and clocks for the aristocracy. Most of these items were not for display, but were functional. People used brass fireguards, soap containers and tobacco boxes in their homes. Brass candlesticks and holy-water buckets played their part in church services.
Before 1600, European brass manufacture flourished in Nuremberg, where councils protected local trade zealously. Venice was the centre of trade with Muslim countries to the east, whose decorative styles influenced Italian engravers. In England the industry developed slowly until 1700, when new foundries in Birmingham and Bristol rapidly expanded brass manufacture.
Object details
Categories | |
Object type | |
Parts | This object consists of 2 parts.
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Materials and techniques | Brass, wood, raised |
Brief description | Brass kettle with the spout in the form of an animal's head and neck; moveable handle with turned wood holder, The Netherlands, around 1700 |
Physical description | Kettle and lid, circular, the handle movable with a turned wood holder, and the spout in the form of an animal's head and neck. |
Dimensions |
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Gallery label |
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Object history | The kettle has very thin walls made from sheet brass. The brass was 'raised' or hammered in a series of shaped dies of decreasing diameter. The base of the kettle was soldered on afterwards. The tradition of dragon-head spouts goes back 300 years. |
Historical context | Brass is an alloy or mixture of copper and zinc: 83% copper produces a golden lustre; 90% gives a reddish glow. Brass melts at 850ºC and can be cast into patterned moulds or into sheets which are hammered into shape. The V&A’s brass collection covers a wide range of dates and styles – from medieval water jugs with lion-head spouts to sleek warming dishes of the early 20th century. The market for brass was large. It included mass-produced goods, lighting for middle-class houses and clocks for the aristocracy. Most of these items were not for display, but were functional. People used brass fireguards, soap containers and tobacco boxes in their homes. Brass candlesticks and holy-water buckets played their part in church services. Before 1600, European brass manufacture flourished in Nuremberg, where councils protected local trade zealously. Venice was the centre of trade with Muslim countries to the east, whose decorative styles influenced Italian engravers. In England the industry developed slowly until 1700, when new foundries in Birmingham and Bristol rapidly expanded brass manufacture. |
Subject depicted | |
Summary | The kettle has very thin walls made from sheet brass. The brass was ‘raised’ or hammered in a series of shaped dies of decreasing diameter. The base of the kettle was soldered on afterwards. The tradition of dragon-head spouts goes back 300 years. Brass is an alloy or mixture of copper and zinc: 83% copper produces a golden lustre; 90% gives a reddish glow. Brass melts at 850ºC and can be cast into patterned moulds or into sheets which are hammered into shape. The V&A’s brass collection covers a wide range of dates and styles – from medieval water jugs with lion-head spouts to sleek warming dishes of the early 20th century. The market for brass was large. It included mass-produced goods, lighting for middle-class houses and clocks for the aristocracy. Most of these items were not for display, but were functional. People used brass fireguards, soap containers and tobacco boxes in their homes. Brass candlesticks and holy-water buckets played their part in church services. Before 1600, European brass manufacture flourished in Nuremberg, where councils protected local trade zealously. Venice was the centre of trade with Muslim countries to the east, whose decorative styles influenced Italian engravers. In England the industry developed slowly until 1700, when new foundries in Birmingham and Bristol rapidly expanded brass manufacture. |
Collection | |
Accession number | 219-1891 |
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Record created | January 26, 2004 |
Record URL |
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