Oliver Cromwell (1599-1658)

Relief
ca. 1740 - ca. 1769 (made)
Artist/Maker
Place of origin

This historicising ivory relief was probably carved by Gaspar van der Hagen, who was originally from Antwerp, and died in London in 1769. He worked in John Michael Rysbrack's workshop. Cromwell was frequently the subject of sculpture in the eighteenth century in Britian, because he represented an important phase of British constitutional history. Van der Hagen (active London 1744 – York 1769) worked both in marble and in ivory. He seems to have concentrated in small ivory heads, some after full-size busts by John Michaerl Rysbrack (1694-1770). He was aparaently a native of Antwerp, who practised in London for most of his life. He may be indentical to the monogrammist GVDR.

Object details

Categories
Object type
TitleOliver Cromwell (1599-1658) (generic title)
Materials and techniques
Ivory, carved in relief
Brief description
Medallion, ivory relief, portrait of Oliver Cromwell, probably by Gaspar van der Hagen (d.1769), after John Michael Rysbrack, Britain, ca. 1740-69
Physical description
Portrait of Oliver Cromwell (1599-1658), who is shown in profile wearing armour with shoulder-length hair facing right. Monogrammed.
Dimensions
  • Height: 10.3cm
Marks and inscriptions
'G V R' (Under truncation of the left shoulder)
Credit line
Given by J.H.J. Lewis O.B.E.
Object history
Almost certainly once fixed to a box, along with other ivory reliefs. Brought in for opinion to the V&A in 1970. Sold at Sotheby's, London, 8 December, 1988, lot 398. On loan to the Museum since 1992. Loan transferred into gift and given to the museum by J. H. J. Lewis O.B.E. in 2016.
Production
Probably by Gaspar van der Hagen, who was originally from Antwerp, and died in London in 1769. He worked in John Michael Rysbrack's workshop.
Subject depicted
Summary
This historicising ivory relief was probably carved by Gaspar van der Hagen, who was originally from Antwerp, and died in London in 1769. He worked in John Michael Rysbrack's workshop. Cromwell was frequently the subject of sculpture in the eighteenth century in Britian, because he represented an important phase of British constitutional history. Van der Hagen (active London 1744 – York 1769) worked both in marble and in ivory. He seems to have concentrated in small ivory heads, some after full-size busts by John Michaerl Rysbrack (1694-1770). He was aparaently a native of Antwerp, who practised in London for most of his life. He may be indentical to the monogrammist GVDR.
Bibliographic reference
Trusted, Marjorie, Baroque & Later Ivories, Victoria & Albert Museum, London, 2013, cat. no. 130
Collection
Accession number
A.6-2016

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Record createdJanuary 19, 2004
Record URL
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