The Festival Frontal
Superfrontal
1898-1899 (made)
1898-1899 (made)
Artist/Maker | |
Place of origin |
Super-frontal
Coloured silk and gold thread, probably on linen. Attached to a frontal or panel of blue linen
Worked in long and short stitch, stem stitch, split stitch, French knots, laid work with Bayeux stitch and couched goldwork.
The Superfrontal has an indented lower edge with a border containing leaves and flowers. The main ground of the frontal is solidly worked with russet coloured silk and patterned with five large gold crosses, set on pearl-grey panels and surrounded by trailing vines and grapes.
The frontal is backed with blue cotton and attached to a panel of cotton.
Coloured silk and gold thread, probably on linen. Attached to a frontal or panel of blue linen
Worked in long and short stitch, stem stitch, split stitch, French knots, laid work with Bayeux stitch and couched goldwork.
The Superfrontal has an indented lower edge with a border containing leaves and flowers. The main ground of the frontal is solidly worked with russet coloured silk and patterned with five large gold crosses, set on pearl-grey panels and surrounded by trailing vines and grapes.
The frontal is backed with blue cotton and attached to a panel of cotton.
Object details
Categories | |
Object type | |
Title | The Festival Frontal (generic title) |
Materials and techniques | silk in shades of russet, pearl-grey, green, blue, mauve, white and black |
Brief description | Superfrontal, designed by Phillip Webb, embroidered by May Morris, England, 1898-1899. |
Physical description | Super-frontal Coloured silk and gold thread, probably on linen. Attached to a frontal or panel of blue linen Worked in long and short stitch, stem stitch, split stitch, French knots, laid work with Bayeux stitch and couched goldwork. The Superfrontal has an indented lower edge with a border containing leaves and flowers. The main ground of the frontal is solidly worked with russet coloured silk and patterned with five large gold crosses, set on pearl-grey panels and surrounded by trailing vines and grapes. The frontal is backed with blue cotton and attached to a panel of cotton. |
Dimensions |
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Marks and inscriptions | The Festival Frontal
I want to tell you how wonderful I am & what times those ... [missing] I came from the brains of Philip Webb the architect of our beautiful chapel; he was the great friend & companion of William Morris, Poet Artist & Craftsman. I was worked by May Morris, she took two years working me, her mother Jane Morris & her Aunt Bessie Burden & herself were the great workers who brought back good work to England in the years from 1860. Philip Webb delighted to give the design for me to May, he said the only woman in England who could work me.
And about my travels & how I came to spend nearly five years in Paris. In April 1914 there was a Great Exhibition at the Louvre of the works of William Morris and his friends. I was out [?] & much admired amonst many other wonderful and beautiful things.
The Great War came in August 1914 we were all rushed down to the Great Cellars at the Louvre & walled up. For more than four years those who loved us never saw thought to see us again but we were kept warm & snug tho' the guns & raids were firing over head. In January 1919 I got home again, & so glad to be in my old corner. (Handwritten, paper label, 200 mm x 15 mm approx, attached to linen cover, back right corner.) |
Gallery label |
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Credit line | Given by the Rochester and Southwark Deaconess's House |
Subjects depicted | |
Bibliographic references |
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Collection | |
Accession number | T.379-1970 |
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Record created | January 14, 2004 |
Record URL |
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