Meleager and the Calydonian Boar
Plaquette
1590-1610 (made)
1590-1610 (made)
Artist/Maker | |
Place of origin |
For some sculptural commissions, a leading artist such as Giambologna made only the model and the work was executed by others. Ideas were also transmitted by terracotta models, plaquettes and engravings, as well as by decorative objects for which sculptors had provided designs. This bronze is from a series of eight reliefs with mythological scenes based on the Metamorphoses of Ovid. They were made by Jacob Cornelisz Cobaert after designs by the sculptor Guglielmo della Porta. Cobaert was born in the Netherlands but settled in Rome in the 1570s, where he became a pupil and assistant of della Porta. He excelled at small-scale sculpture and his reliefs were much admired. Their designs were disseminated by terracotta casts made for use by goldsmiths.
Object details
Categories | |
Object type | |
Title | Meleager and the Calydonian Boar (generic title) |
Materials and techniques | Bronze |
Brief description | Plaquette, bronze, Meleager and the Calydonian Boar, by Jakob Cornelisz Cobaert (active 1568-1615) after a design by Guglielmo Della Porta (active 1531-1577), Italo-Flemish (Rome), about 1590-1610 |
Physical description | Plaquette in bronze showing the hunt for the Calydonian boar and Meleager running it through. |
Gallery label |
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Credit line | Bequeathed by Mr Reginald Jones |
Object history | Bequeathed by Mr Reginald Jones in 1952. |
Production | Italo-Flemish |
Subject depicted | |
Summary | For some sculptural commissions, a leading artist such as Giambologna made only the model and the work was executed by others. Ideas were also transmitted by terracotta models, plaquettes and engravings, as well as by decorative objects for which sculptors had provided designs. This bronze is from a series of eight reliefs with mythological scenes based on the Metamorphoses of Ovid. They were made by Jacob Cornelisz Cobaert after designs by the sculptor Guglielmo della Porta. Cobaert was born in the Netherlands but settled in Rome in the 1570s, where he became a pupil and assistant of della Porta. He excelled at small-scale sculpture and his reliefs were much admired. Their designs were disseminated by terracotta casts made for use by goldsmiths. |
Bibliographic reference | Montagu, Jennifer, Gold, Silver and Bronze. Metal Sculpture of the Roman Baroque, Yale University Press 1996, p. 221, note 76 |
Collection | |
Accession number | A.15-1952 |
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Record created | January 13, 2004 |
Record URL |
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