Cup thumbnail 1

Cup

ca. 1650-1700 (made)
Artist/Maker
Place of origin

Throughout the ages artists and craftsmen have made virtuoso carvings as a display of their skill and ingenuity. Although ivory, wood and stone are relatively easy to carve, other materials such as gemstones are much more demanding. Most of these carvings were made for wealthy patrons and collectors, who delighted in the rarity of the material and quality of the carving. Ivory turning was commonly practised in European courts during the 17th and 18th centuries, especially in Germany and Italy. Virtuoso pieces such as this cup and cover showed the skill of the carver, who was able to carve concentric ivory balls inside one another. Turned vessels were made in many German courts during the sixteenth and seventeenth centuries. The exact provenance of this one remains uncertain.

Object details

Categories
Object type
Materials and techniques
Elephant ivory
Brief description
Cup and cover, ivory, German, ca. 1650-1700
Physical description
Turned cup in ivory with various devices including a dodecahedron at the top of the lid.
Dimensions
  • Height: 52.3cm
Weight of the cup: 753g; weight of the lid: 409g.
Credit line
Given by Dr W. L. Hildburgh FSA
Object history
Given by Dr W.L. Hildburgh F.S.A. in 1949;
Summary
Throughout the ages artists and craftsmen have made virtuoso carvings as a display of their skill and ingenuity. Although ivory, wood and stone are relatively easy to carve, other materials such as gemstones are much more demanding. Most of these carvings were made for wealthy patrons and collectors, who delighted in the rarity of the material and quality of the carving. Ivory turning was commonly practised in European courts during the 17th and 18th centuries, especially in Germany and Italy. Virtuoso pieces such as this cup and cover showed the skill of the carver, who was able to carve concentric ivory balls inside one another. Turned vessels were made in many German courts during the sixteenth and seventeenth centuries. The exact provenance of this one remains uncertain.
Bibliographic reference
Trusted, Marjorie, Baroque & Later Ivories, Victoria & Albert Museum, London, 2013, cat. no. 44
Collection
Accession number
A.41-1949

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Record createdJanuary 13, 2004
Record URL
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