Sir Isaac Newton thumbnail 1

Sir Isaac Newton

Medallion
ca. 1740 - ca. 1769 (made)
Artist/Maker
Place of origin

This oval ivory medallion is probably made by Gaspar van der Hagen, probably after John Michael Rysbrack in ca. 1740-69.
The portrait probably derived from the so-called Conduit marble bust of Newton by John Michael Rysbrack (1694-1770), and his terracotta bust in the Wren library, Trinity College, Cambridge, signed and dated 1739. Isaac Newton was widely commemorated in busts and other forms of portraiture throughout the 18th century. Portraits in ivory were fashionable in the 17th and 18th centuries. Generally elephant or walrus ivory was used. Since the pieces were limited in size the portraits tended to be small, yet they could still be monumental in form. Gaspar van der Hagen was born in the Netherlands but later worked in London, in the workshop of Michael Rysbrack.

Object details

Categories
Object type
TitleSir Isaac Newton (generic title)
Materials and techniques
Carved ivory
Brief description
Medallion, ivory, portrait of Sir Isaac Newton in ivory, probably by Gaspar van der Hagen, probably after John Michael Rysbrack, Netherlandish, produced in Britain, ca. 1740-1769
Physical description
Newton is shown in profile to the left wearing a collarless coat over a shirt, the collar of which is open. A narrow drapery passes over the right shoulder and under the left arm.
Dimensions
  • Height: 9.2cm
  • Width: 6.5cm
Credit line
Given by Dr W. L. Hildburgh FSA
Object history
Given by Dr W.L Hildburgh, F.S.A. in 1938.
Subject depicted
Summary
This oval ivory medallion is probably made by Gaspar van der Hagen, probably after John Michael Rysbrack in ca. 1740-69.
The portrait probably derived from the so-called Conduit marble bust of Newton by John Michael Rysbrack (1694-1770), and his terracotta bust in the Wren library, Trinity College, Cambridge, signed and dated 1739. Isaac Newton was widely commemorated in busts and other forms of portraiture throughout the 18th century. Portraits in ivory were fashionable in the 17th and 18th centuries. Generally elephant or walrus ivory was used. Since the pieces were limited in size the portraits tended to be small, yet they could still be monumental in form. Gaspar van der Hagen was born in the Netherlands but later worked in London, in the workshop of Michael Rysbrack.
Bibliographic reference
Trusted, Marjorie, Baroque & Later Ivories, Victoria & Albert Museum, London, 2013, cat. no. 128
Collection
Accession number
A.22-1938

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Record createdJanuary 12, 2004
Record URL
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