The Assumption of the Virgin
Statuette
ca. 1720-1730 (made)
ca. 1720-1730 (made)
Artist/Maker | |
Place of origin |
Semi-precious materials such as this often associated with a particular geographical region and highly valued because of their rarity. Many of the religious objects were portable, as were the small portraits. They were often made near to the source of the material and then taken elsewhere. This was made in Trapani, a town in Sicily that became the most important centre of coral carving in Europe. The Assumption of the Virgin, in which the Virgin ascended bodily and spiritually to heaven after her death, was a popular subject in Mediterranean countries at this period.
Object details
Categories | |
Object type | |
Title | The Assumption of the Virgin (generic title) |
Materials and techniques | Carved coral, in silver frame |
Brief description | Assumption of the Virgin, coral relief, Sicily (Trapani), frame Naples, ca. 1720-30 |
Physical description | Statuette in coral of the Assumption of the Virgin in its original frame with Naples hall mark. The Virgin stands on a crescent supported by cherubs. |
Dimensions |
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Credit line | Bequeathed by Henry L. Florence |
Subjects depicted | |
Summary | Semi-precious materials such as this often associated with a particular geographical region and highly valued because of their rarity. Many of the religious objects were portable, as were the small portraits. They were often made near to the source of the material and then taken elsewhere. This was made in Trapani, a town in Sicily that became the most important centre of coral carving in Europe. The Assumption of the Virgin, in which the Virgin ascended bodily and spiritually to heaven after her death, was a popular subject in Mediterranean countries at this period. |
Bibliographic references |
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Collection | |
Accession number | A.31-1917 |
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Record created | January 7, 2004 |
Record URL |
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