Perseus Arming thumbnail 1
Image of Gallery in South Kensington
On display at V&A South Kensington
Sculpture, Room 21, The Dorothy and Michael Hintze Galleries

Perseus Arming

Statuette
ca. 1882 (made)
Artist/Maker
Place of origin

This bronze statuette of 'Perseus Arming' by Alfred Gilbert was cast around 1882, after a plaster model made in Rome in 1880-1881. It represents the nude figure of Perseus with a winged helmet and a sword in his left hand. He is looking down at a winged sandal which he has just strapped to his right foot.

The work was conceived when Gilbert was in Italy, studying Renaissance art. In Florence, he had been particularly struck by Donatello's bronze of David (Bargello), and Cellini's Perseus with the Head of Medusa (Loggia dei Lanzi). Of the latter, Gilbert said: 'amazed as I was by that great work, it still left me somewhat cold, insomuch that it failed to touch my sympathies. As at that time my whole thoughts were of my artistic equipment for the future, I conceived the idea that Perseus before becoming a hero was a mere mortal, and that he had to look to his equipment. That is a presage of my life and work at that time.' (Hatton 1903, p. 10). Gilbert's portrayal of the mythological hero was exhibited at the Paris Salon in 1883, and received an honourable mention, which encouraged the young artist to 'go on writing my own history by symbol'.

Perseus was the son of Zeus and Danae and one of the archetypal heroes in Greek mythology. He defeated various monsters, one of them Medusa, whom he beheaded. Perseus is depicted either as the typical hero, young, beardless and naked (sometimes with a short cloak), or he is dressed as a warrior in armour. He holds a curved sword, a gift from Mercury and a polished shield given by his protector Minerva. He wears winged sandals.

Sir Alfred Gilbert (1854 - 1934) was a famous British sculptor of the late 19th century. He was also a medallist, goldsmith and draughtsman. He was known for his inventiveness, experimentation with alloys and patina and characteristically used various materials in the same work. Upon his many commissions for monuments and memorials is the celebrated Eros figure as part of the Shaftsbury memorial (1885-1893) on Piccadilly Circus.


Object details

Categories
Object type
TitlePerseus Arming (assigned by artist)
Materials and techniques
Cast bronze
Brief description
Statuette, bronze, 'Perseus Arming', by Sir Alfred Gilbert, English, ca. 1882
Physical description
Nude figure of Perseus with a winged helmet and a sword in his left hand. He is looking down at a winged sandal which he has just strapped to his right foot.
Dimensions
  • Height: 37cm
  • Height: 37cm
  • Whole sculpture weight: 4kg
Style
Marks and inscriptions
'A. Gilbert' (on the circular base)
Gallery label
Gilbert wanted to portray the Greek mythological hero Perseus as a 'mere mortal' preparing for combat. He saw the subject as foreshadowing his own life and work. It was exhibited at the Paris Salon, and received an honourable mention, which encouraged the young artist to 'go on writing my own history by symbol'.(March 2007)
Object history
It has been suggested that this bronze is an unauthorised commercial copy. There is a reference to this piece in the correspondence between Gilbert and Rev. Brocklehurst in the archives of the Department of Western Art at the Ashmolean Museum. Gilbert suggested that the signature was evidence that the bronze was the work of pirates and pointed out that he never signed his work in that way. He said that he had written to the newspapers to express his indignation that such a work should be in the Victoria and Albert Museum. There is also a minute from Eric Maclagan in the Victoria and Albert Museum archives, dated 2 June 1911, concerning a visit by Herbert Wheeler, a friend of Gilbert, who commented that the Perseus Arming and other bronzes in the collection were commercial copies. Maclagan writes, 'I understand from Mr Watts that Gilbert himself called one Sunday afternoon four or five years ago and made a similar complaint particularly repudiating the Perseus.' [Registered File VA/150/7, Departments: Architecture and Sculpture, Inventory Questions] However, Nicholas Penny has argued that there is no difference in quality between this version and the authorised version in the Ashmolean.

In the collection of Alfred Higgins at the time of his death. Purchased at the sale of a collection of plaquettes, statuettes, etc., the property of the late Alfred Higgins, Esq., C.B., held at Christie, Manson and Woods on 29 January 1904, lot no. 37; there described as Hermes. Purchased for £65 2s by Mr F.E. Whelan of Messrs Rollin and Feuardent on behalf of the Museum.
Historical context
Gilbert wanted to portray the Greek mythological hero Perseus as a 'mere mortal' preparing for combat. He saw the subject as foreshadowing his own life and work. It was exhibited at the Paris Salon, and received an honourable mention, which encouraged the young artist to 'go on writing my own history by symbol'.
Subjects depicted
Summary
This bronze statuette of 'Perseus Arming' by Alfred Gilbert was cast around 1882, after a plaster model made in Rome in 1880-1881. It represents the nude figure of Perseus with a winged helmet and a sword in his left hand. He is looking down at a winged sandal which he has just strapped to his right foot.

The work was conceived when Gilbert was in Italy, studying Renaissance art. In Florence, he had been particularly struck by Donatello's bronze of David (Bargello), and Cellini's Perseus with the Head of Medusa (Loggia dei Lanzi). Of the latter, Gilbert said: 'amazed as I was by that great work, it still left me somewhat cold, insomuch that it failed to touch my sympathies. As at that time my whole thoughts were of my artistic equipment for the future, I conceived the idea that Perseus before becoming a hero was a mere mortal, and that he had to look to his equipment. That is a presage of my life and work at that time.' (Hatton 1903, p. 10). Gilbert's portrayal of the mythological hero was exhibited at the Paris Salon in 1883, and received an honourable mention, which encouraged the young artist to 'go on writing my own history by symbol'.

Perseus was the son of Zeus and Danae and one of the archetypal heroes in Greek mythology. He defeated various monsters, one of them Medusa, whom he beheaded. Perseus is depicted either as the typical hero, young, beardless and naked (sometimes with a short cloak), or he is dressed as a warrior in armour. He holds a curved sword, a gift from Mercury and a polished shield given by his protector Minerva. He wears winged sandals.

Sir Alfred Gilbert (1854 - 1934) was a famous British sculptor of the late 19th century. He was also a medallist, goldsmith and draughtsman. He was known for his inventiveness, experimentation with alloys and patina and characteristically used various materials in the same work. Upon his many commissions for monuments and memorials is the celebrated Eros figure as part of the Shaftsbury memorial (1885-1893) on Piccadilly Circus.
Bibliographic references
  • McAllister, Isabel, Alfred Gilbert, 1929, pp.55-57
  • Penny, Nicholas. Catalogue...Ashmolean Museum'. Oxford, 1992. Vol.III, p.71
  • 'Leighton and His Sculpural Legacy'. In: British Sculpture 1875-1930. 1996. p.42., Cat. No.13. Catalogue of an exhibition organised by Joanna Barnes Fine Arts held at the Matthiesen Gallery, February 1996
  • Curtis, Penelope and Terry Friedman eds. Leeds Sculpture Collections: Illustrated Concise Catalogue. Leeds, 1996. p.13
  • Sensuality and Symbolism. 1997. p.52. Catalogue of an exhibition at Robert Bowman Ltd, November 1997
  • Dorment, Richard. Alfred Gilbert. New Haven: Yale University Press, 1985, pp.38-42
  • Beattie, Susan. The New Sculpture. New Haven: Yale University Press, 1983
  • Forrest, Michael. Art Bronzes. Pennsylvania: Schiffer Publications, 1988, p.322
  • Cooper, Jeremy. 19th Century Romantic Bronzes. London: David and Charles, 1975, pp.70-75
  • Christies. London, 14 February 1991, Cat. No.29. Sale Catalogue
  • Dorment, Richard, et al, Alfred Gilbert: Sculptor and Goldsmith, London: Weidenfeld and Nicholson, 1986, pp.14, 21-23, 106-108, Cat. No.11, Catalogue to an exhibition held at the Royal Academy of Arts
  • The Fine Art Society. Exhibition Catalogue. Gibson to Gilbert- British Sculpture 1840-1914., London,1992, pp. 53-5
  • Sir Alfred Gilbert and The New Sculpture, British Sculpture 1850-1930. London: The Fine Art Society, 2008, p. 44
  • Bilbey, Diane with Trusted, Marjorie. British Sculpture 1470 to 2000. A Concise Catalogue of the Collection at the Victoria and Albert Museum. London: V& A Publications, 2002, pp. 275-6
  • Inventory of Works of Art Acquired by the Victoria and Albert Museum in the Years 1903 - 1904. In: List of Works of Art Acquired by the Victoria and Albert Museum, During the Year 1904, Arranged According to the Dates of Acquisition with Appendix and Indices. London: Printed for His Majesty's Stationery Office, by Wyman and Sons, Limited, 1908, p. 15
Collection
Accession number
77-1904

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Record createdAugust 20, 1998
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