Kate Dore
Photograph
ca. 1864 (photographed)
ca. 1864 (photographed)
Artist/Maker | |
Place of origin |
O.G. Rejlander visited the Isle of Wight in the early 1860s, photographing members of the Tennyson and Cameron households. It is believed that Julia Margaret Cameron either worked in collaboration with Rejlander and/or printed this work. To do so, Cameron placed ferns between the paper and one of Rejlander’s negatives. The ferns printed as white, forming a frame around the portrait. It shows Cameron’s experimental nature and provides a glimpse of her photographic practice before she acquired a camera.
Object details
Categories | |
Object type | |
Title | Kate Dore (generic title) |
Materials and techniques | Albumen print; the ferns added by the photogram technique |
Brief description | Photograph by Oscar Gustave Rejlander in collaboration with Julia Margaret Cameron, 'Kate Dore with Photogram Frame of Ferns', albumen print, ca. 1862 |
Physical description | A photograph of a young woman (Kate Dore) taken in 3/4 profile, her hair is loose. The edges of the photograph have images of ferns produced using the photogram technique. |
Dimensions |
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Style | |
Gallery label |
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Credit line | Given by Mrs Margaret Southam, 1941 |
Object history | This print is a photogram, a technique of making a picture without a camera or lens. Photograms are made by placing objects on top of a piece of photographic paper and then exposing the composition to light. In this example, ferns were placed in contact with the glass negative prior to printing-out in sunlight. This appears to be unique in Cameron's oeuvre, as she did not use photogram techniques elsewhere in her work. However, it is typical of her iconoclastic and experimental methods. She embellished a portrait, known to be by Oscar Rejlander, by placing ferns between the negative and the printing paper. The ferns, printing as white, perhaps symbolise the delicate sensibility of the young woman, and perhaps her 'naturalness'. |
Subjects depicted | |
Summary | O.G. Rejlander visited the Isle of Wight in the early 1860s, photographing members of the Tennyson and Cameron households. It is believed that Julia Margaret Cameron either worked in collaboration with Rejlander and/or printed this work. To do so, Cameron placed ferns between the paper and one of Rejlander’s negatives. The ferns printed as white, forming a frame around the portrait. It shows Cameron’s experimental nature and provides a glimpse of her photographic practice before she acquired a camera. |
Bibliographic references |
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Collection | |
Accession number | PH.258-1982 |
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Record created | January 6, 2004 |
Record URL |
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