Venus
Statuette
late 15th century to early 16th century (made)
late 15th century to early 16th century (made)
Artist/Maker | |
Place of origin |
The surface finish of a bronze often disguises how it was made. It is only when you study it closely – sometimes only by taking X-rays that allow you to see what has happened inside the bronze – that you can discover what casting method was used. At first glance these three bronzes look similar, but each one was made using a different technique. This statuette is a ‘relict cast’, created by casting – and therefore destroying – the original wax model.
The model was made by Antico, sculptor to the Dukes of Mantua and a celebrated artist in his day. He did not intend the model to be cast, and the bronze may therefore have been made later by another artist or workshop.
Antico (Pier Jacopo di Antonio Alari-Bonacolsi) (ca. 1460-1528) was an Italian sculptor and goldsmith. He was nick-named Antico, because in his work he related heavily to Antiquity. He re-created small scale statuettes of famous antique examples. He was active at the Gonzaga court at Mantua and made many bronzes for the court, notably for Ludovico, Bishop of Mantua and Isabella d’Este, wife of Francesco II Gonzaga, 4th Marchese of Mantua. He was also a restorer of antique statues and an adviser to art collectors.
The model was made by Antico, sculptor to the Dukes of Mantua and a celebrated artist in his day. He did not intend the model to be cast, and the bronze may therefore have been made later by another artist or workshop.
Antico (Pier Jacopo di Antonio Alari-Bonacolsi) (ca. 1460-1528) was an Italian sculptor and goldsmith. He was nick-named Antico, because in his work he related heavily to Antiquity. He re-created small scale statuettes of famous antique examples. He was active at the Gonzaga court at Mantua and made many bronzes for the court, notably for Ludovico, Bishop of Mantua and Isabella d’Este, wife of Francesco II Gonzaga, 4th Marchese of Mantua. He was also a restorer of antique statues and an adviser to art collectors.
Object details
Categories | |
Object type | |
Title | Venus (generic title) |
Materials and techniques | Bronze |
Brief description | Statuette, bronze, by Pier Jacopo Alari Bonacolsi, known as Antico, Italy (Mantua), late 15th or early 16th century |
Physical description | Statuette in bronze of Venus. She stands gathering closely folded drapery round the lower part of her body with her right hand, leaving the side of her right leg bare; her left hand is outstretched. She wears an oak-leaf wreath. Very dark patina over brown bronze with reddish flecks. On a low base of dark marble. |
Dimensions |
|
Credit line | Salting Bequest |
Object history | From the Salting bequest. |
Subjects depicted | |
Summary | The surface finish of a bronze often disguises how it was made. It is only when you study it closely – sometimes only by taking X-rays that allow you to see what has happened inside the bronze – that you can discover what casting method was used. At first glance these three bronzes look similar, but each one was made using a different technique. This statuette is a ‘relict cast’, created by casting – and therefore destroying – the original wax model. The model was made by Antico, sculptor to the Dukes of Mantua and a celebrated artist in his day. He did not intend the model to be cast, and the bronze may therefore have been made later by another artist or workshop. Antico (Pier Jacopo di Antonio Alari-Bonacolsi) (ca. 1460-1528) was an Italian sculptor and goldsmith. He was nick-named Antico, because in his work he related heavily to Antiquity. He re-created small scale statuettes of famous antique examples. He was active at the Gonzaga court at Mantua and made many bronzes for the court, notably for Ludovico, Bishop of Mantua and Isabella d’Este, wife of Francesco II Gonzaga, 4th Marchese of Mantua. He was also a restorer of antique statues and an adviser to art collectors. |
Bibliographic reference | 'Salting Bequest (A. 70 to A. 1029-1910) / Murray Bequest (A. 1030 to A. 1096-1910)'. In: List of Works of Art Acquired by the Victoria and Albert Museum (Department of Architecture and Sculpture). London: Printed under the Authority of his Majesty's Stationery Office, by Eyre and Spottiswoode, Limited, East Harding Street, EC, p. 5 |
Collection | |
Accession number | A.96-1910 |
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Record created | January 6, 2004 |
Record URL |
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