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Design for an inn sign

Drawing
ca. 1750 (made)
Artist/Maker
Place of origin

Today signboards are rarely found hanging anywhere other than outside public houses, but in the 18th century all kinds of businesses displayed them. In order to catch the notice of the approaching customer the graphics had to be bold, colourful and immediately understood. Subtlety had no place in this kind of graphic communication and there can be little doubt that this design was intended to advertise The Crown Inn. This is very much a working drawing. It includes preliminary pencil sketches of three different crowns, one placed upon a cushion. The sheet has also been ‘squared up’ so that the design can be reproduced easily on the larger wooden signboard. Sign-painting was a recognised occupation and the V&A has 35 further designs by the same anonymous hand.

Object details

Categories
Object type
TitleDesign for an inn sign (generic title)
Materials and techniques
Pencil, oil and bodycolour on Whatman paper
Brief description
Design drawing for an inn sign showing a gold crown and three preliminary pencil sketches. Oil, bodycolour and pencil on paper. Anonymous, British, about 1750
Physical description
Drawing in oil, bodycolour and pencil on paper showing a gold crown with fleur de lys, gems, ermine and red fabric. Also three preliminary pencil sketches. The paper has been squared in pencil for enlargement.
Dimensions
  • Height: 35.5cm
  • Width: 25.5cm
From catalogue
Marks and inscriptions
paper watermarked with a fleur de lys
Subjects depicted
Place depicted
Summary
Today signboards are rarely found hanging anywhere other than outside public houses, but in the 18th century all kinds of businesses displayed them. In order to catch the notice of the approaching customer the graphics had to be bold, colourful and immediately understood. Subtlety had no place in this kind of graphic communication and there can be little doubt that this design was intended to advertise The Crown Inn. This is very much a working drawing. It includes preliminary pencil sketches of three different crowns, one placed upon a cushion. The sheet has also been ‘squared up’ so that the design can be reproduced easily on the larger wooden signboard. Sign-painting was a recognised occupation and the V&A has 35 further designs by the same anonymous hand.
Bibliographic reference
Celina Fox, 'London Trade Signs' the catalogue of an exhibtion at the Cadogan Gallery, London, 5-16 November 1985.
Collection
Accession number
P.26-1986

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Record createdDecember 12, 2003
Record URL
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