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Acetylene Welder

Print
1917 (printed and published)
Artist/Maker
Place of origin

C. R. W. Nevinson was an official war artist when he made this print in 1917. He shows the women intent on their war work. They look like identical robots. They have tied up their hair to keep it out of the machinery and wear goggles to protect their eyes from the sparks. A leaflet issued by the Ministry of Labour said: 'The average woman takes to welding as readily as she takes to knitting once she has overcome any initial nervousness due to sparks'.

Nevinson painted landscapes and urban and industrial subjects. He was also an accomplished printmaker. Around 1912 and 1913 he studied in Paris and absorbed the influences of the new developments in European art, especially Cubism and Futurism. He produced this series of prints as one of the conditions for his appointment as an official war artist. He also made paintings of several of the subjects he depicted in this series.

Object details

Categories
Object type
Titles
  • Acetylene Welder (assigned by artist)
  • The Great War: Britain's Efforts and Ideals: Building Aircraft (series title)
Materials and techniques
Lithograph, with scratched highlights
Brief description
C.R.W. Nevinson: Acetylene Welders from the set 'Building Aircraft', 1917
Physical description
Lithographic print, with scratched highlights
Dimensions
  • Height: 40.4cm
  • Width: 29.9cm
Marks and inscriptions
[the stamp of the Ministry of Information] (Stamp; impressed)
Credit line
Given by the Imperial War Museum
Subjects depicted
Summary
C. R. W. Nevinson was an official war artist when he made this print in 1917. He shows the women intent on their war work. They look like identical robots. They have tied up their hair to keep it out of the machinery and wear goggles to protect their eyes from the sparks. A leaflet issued by the Ministry of Labour said: 'The average woman takes to welding as readily as she takes to knitting once she has overcome any initial nervousness due to sparks'.

Nevinson painted landscapes and urban and industrial subjects. He was also an accomplished printmaker. Around 1912 and 1913 he studied in Paris and absorbed the influences of the new developments in European art, especially Cubism and Futurism. He produced this series of prints as one of the conditions for his appointment as an official war artist. He also made paintings of several of the subjects he depicted in this series.
Bibliographic reference
Taken from Departmental Circulation Register 1919
Collection
Accession number
CIRC.258-1919

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Record createdDecember 10, 2003
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