Jug thumbnail 1

Jug

1180-1220 (made)
Artist/Maker
Place of origin

This jug is an example of the fine fritwares produced by potters in Kashan and other centres in Iran in the 12th and early 13th centuries. They used an astonishing range of styles. Here the Kashan potter has painted enamel colours over the glaze. This has allowed the decorator to use a multi-coloured design similar to that used in book illustrations and wall paintings of the period. The multi-colour decoration on this jug shows a band of horsemen set between two rows of seated people.

Fritware, also called stone paste and quartz paste, was developed by Middle Eastern potters as a response to the challenge posed by Chinese porcelain. Unlike high-fired Chinese porcelain, low-fired fritware was soft and porous, but like porcelain it was white all the way through and could be used to make convincing substitutes.

Object details

Categories
Object type
Materials and techniques
Fritware, painted in overglaze colours
Brief description
Jug with bands of figural decoration, Iran (probably Kashan), 1180-1220.
Physical description
White fritware jug with colours in and enamels over the opaque glaze. The main decoration is two rows of seated figures flanking a larger band of horsemen on the jug's shoulder.
Dimensions
  • Height: 32.8cm
  • Diameter: 19.5cm
Gallery label
(Jameel Gallery)
Jameel Gallery

Ewer with Painted Scenes
Iran, probably Kashan
1180-1220

Kashan potters began to paint enamel colours over the glaze. This allowed them to decorate ceramics with multi-coloured designs very similar to book illustrations and wall paintings of the period. Here a band of horsemen is set between two rows of seated people.

Fritware with colours in and enamels over the opaque glaze

Museum no. C.171-1977. Given by Mr C.N. Ades, MBE, in memory of his wife, Andrée Ades
(Used until 11/2003)
JUG White earthenware painted in overglaze colours.
Found at Jurjan.
PERSIAN (Kashan); early 13th century.
Given by Mr. C. N. Ades MBE in memory of his wife, Andree Ades.
Credit line
Given by Mr C. N. Ades MBE in memory of his wife Andrée Ades
Object history
This vessel was part of a hoard that was deliberately buried by its owner, probably a merchant who lived in Jurjan in north-east Iran, or who was passing through the city. In 1220, Jurjan was threatened by a Mongol invasion. The merchant packed the vessels in sand inside large storage jars and buried them for safekeeping. Soon afterwards, Jurjan was completely destroyed by the Mongols, and the owner never returned to recover the hoard.As a result, the vessels in this hoard survived together for almost 800 years, and in relatively good condition.The probable date of their burial also gives us a good indication of when the vessels in the hoard were made, as well as showing the wide variety of types of decoration that were used to make Iranian pottery at this time.

Clement Ades gave a large number of objects found in the Jurjan hoard to the Victoria and Albert Museum at different times. Their object numbers are C.152 to 171-1977, and C.35 to 49-1978.
Subjects depicted
Summary
This jug is an example of the fine fritwares produced by potters in Kashan and other centres in Iran in the 12th and early 13th centuries. They used an astonishing range of styles. Here the Kashan potter has painted enamel colours over the glaze. This has allowed the decorator to use a multi-coloured design similar to that used in book illustrations and wall paintings of the period. The multi-colour decoration on this jug shows a band of horsemen set between two rows of seated people.

Fritware, also called stone paste and quartz paste, was developed by Middle Eastern potters as a response to the challenge posed by Chinese porcelain. Unlike high-fired Chinese porcelain, low-fired fritware was soft and porous, but like porcelain it was white all the way through and could be used to make convincing substitutes.
Collection
Accession number
C.171-1977

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Record createdNovember 28, 2003
Record URL
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