Painting thumbnail 1
Not currently on display at the V&A

Painting

17th century (made)
Artist/Maker
Place of origin

The painting, n opaque watercolour on paper, shows a standing lady in profile facing right with her right arm extended and her hand gesturing upwards. Her left hand rests upon a red cane. She is dressed in a gauzy transparent peshwazoverdress with long tight sleeves that reveals her breasts beneath and her red paijama which are dotted with a scrolled leaf pattern ending in a double row of pearls round her ankles. The open V-neck of the dress is edged with pink-tipped, chevron-shaped lappets which join just below her breasts before parting into a skirt with gold-edged gores reaching down to the hem. In the central opening a golden patka with a scrolling floral design in pink and red is tucked into her paijama waistband and falls full-length to the hem of her dress. She wears a pair of burgundy-coloured slippers decorated in a golden pattern which reveal her reddened heels that match her red finger tips. Her loose hair is covered with a transparent odhani (veil) edged in gold which is draped over her left shoulder and hangs down her back with a decorated floral end on a gold ground. She wears ropes of pearls as bracelets on her wrists and a jewelled armlet is visible under her odhani. Further pearls and green gemstones decorate her ear and neck. She also wears a cross-over pearl body ornament clasped between her breasts with a red gemstone.
She is shown standing on a stretch of green grass dotted with a variety of flowering plants against a turquoise-green background which rises up to the top of the painting where streaks of gold and pink suggest a notional sky. A strip of paper one and a half centimetres in depth has been added along the top and painted blue.
The image has also been extended along its lower edge by an additional one and a half centimetre strip of paper painted in a cruder fashion to show a white-lily pond with two little fish in it.
The painting is mounted on the page with an inner border of a faded pinky-orange colour decorated in gold with a scrolling foliage pattern edged in gold with white and black outlines and an outer line in blue. The main border of the page is ivory coloured with a row of pink lilies and red poppies outlined in gold. The margins of the page have blue strips of paper with a white outline collaged along the edges. That on the right hand side is rather damaged probably when the album was rebound and a grey strip of paper added as a gutter for the present album binding.












































































dhani (veil)


Object details

Categories
Object type
Materials and techniques
Painted in opaque watercolour on paper
Brief description
Painting, Small Clive Album p. 42, lady standing among flowers by a lotus pond. opaque watercolour on paper, Mughal, 17th century
Physical description
The painting, n opaque watercolour on paper, shows a standing lady in profile facing right with her right arm extended and her hand gesturing upwards. Her left hand rests upon a red cane. She is dressed in a gauzy transparent peshwazoverdress with long tight sleeves that reveals her breasts beneath and her red paijama which are dotted with a scrolled leaf pattern ending in a double row of pearls round her ankles. The open V-neck of the dress is edged with pink-tipped, chevron-shaped lappets which join just below her breasts before parting into a skirt with gold-edged gores reaching down to the hem. In the central opening a golden patka with a scrolling floral design in pink and red is tucked into her paijama waistband and falls full-length to the hem of her dress. She wears a pair of burgundy-coloured slippers decorated in a golden pattern which reveal her reddened heels that match her red finger tips. Her loose hair is covered with a transparent odhani (veil) edged in gold which is draped over her left shoulder and hangs down her back with a decorated floral end on a gold ground. She wears ropes of pearls as bracelets on her wrists and a jewelled armlet is visible under her odhani. Further pearls and green gemstones decorate her ear and neck. She also wears a cross-over pearl body ornament clasped between her breasts with a red gemstone.
She is shown standing on a stretch of green grass dotted with a variety of flowering plants against a turquoise-green background which rises up to the top of the painting where streaks of gold and pink suggest a notional sky. A strip of paper one and a half centimetres in depth has been added along the top and painted blue.
The image has also been extended along its lower edge by an additional one and a half centimetre strip of paper painted in a cruder fashion to show a white-lily pond with two little fish in it.
The painting is mounted on the page with an inner border of a faded pinky-orange colour decorated in gold with a scrolling foliage pattern edged in gold with white and black outlines and an outer line in blue. The main border of the page is ivory coloured with a row of pink lilies and red poppies outlined in gold. The margins of the page have blue strips of paper with a white outline collaged along the edges. That on the right hand side is rather damaged probably when the album was rebound and a grey strip of paper added as a gutter for the present album binding.












































































dhani (veil)
Dimensions
  • Central painting height: 20.3cm
  • Central painting width: 10.5cm
  • Page height: 35.5cm
  • Page width: 23.5cm
Style
Credit line
Gift of Mr. John Goelet
Object history
This miniature painting is part of the Small Clive Album of Indian miniatures which is thought to have been given by Shuja ud-Daula, the Nawab of Avadh, to Lord Clive during his last visit to India in 1765-67. It contains 56 leaves on which are Mughal miniature paintings, drawing and flower studies on both sides. The binding is covered with an Indian brocade silk that may have been cut from lengths brought home by the 2nd Lord Clive, who served as Governor of Madras, 1799 to 1803. The album was sold from Powis Castle at Sotheby's sale, 16 to 18 January 1956, lot 332A.
Production
The painting probably dates originally from the mid 17th century with additions made in the first half of the 18th century
Subjects depicted
Collection
Accession number
IS.48:21/B-1956

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Record createdNovember 27, 2003
Record URL
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