Conchus thumbnail 1
Conchus thumbnail 2
Not on display

Conchus

Sample
1873 (made)
Artist/Maker
Place of origin

This brocaded, figured silk called 'Conchus' has a pattern of sea shells and foliage. It was designed by William Folliot, who studied and taught at the Spitalfields School of Design, for the manufacturer Daniel Walters & Son. Folliot first lent and then gave to the V & A a piece of 'Conchus'. This example, however, is a later gift from Warner & Sons, who took over Walters in 1894.

Warner & Sons Ltd. was a leading 19th and 20th century silk weavers and cotton printers. The firm was founded by Benjamin Warner who trained at the Spitalfields School and who went into his first partnership with Wiliam Folliot. Warner & Sons have always been noted for high technical achievements. As well as a large range of traditional floral patterns, they bought designs from many late 19th century freelance designers.

Object details

Category
Object type
TitleConchus (trade title)
Materials and techniques
Brocaded figured silk
Brief description
Sample of brocaded silk 'Conchus', designed by William Folliott, made by Daniel Walters & Sons, Spitalfields, 1873
Physical description
Sample of brocaded figured silk depicting different types of shells among leaves on a green background.
Dimensions
  • Length: 48.5cm
  • Width: 53.5cm
Credit line
Given by Warner & Sons Ltd
Subjects depicted
Summary
This brocaded, figured silk called 'Conchus' has a pattern of sea shells and foliage. It was designed by William Folliot, who studied and taught at the Spitalfields School of Design, for the manufacturer Daniel Walters & Son. Folliot first lent and then gave to the V & A a piece of 'Conchus'. This example, however, is a later gift from Warner & Sons, who took over Walters in 1894.

Warner & Sons Ltd. was a leading 19th and 20th century silk weavers and cotton printers. The firm was founded by Benjamin Warner who trained at the Spitalfields School and who went into his first partnership with Wiliam Folliot. Warner & Sons have always been noted for high technical achievements. As well as a large range of traditional floral patterns, they bought designs from many late 19th century freelance designers.
Bibliographic references
  • Baker, Malcolm, and Brenda Richardson (eds.), A Grand Design: The Art of the Victoria and Albert Museum, London: V&A Publications, 1999.
  • Parry, Linda. British Textiles from 1850 to 1900 London : Victoria and Albert Museum 1993. Plate 43.
  • Parry, Linda. British Textiles from 1850 to 1900 London : Victoria and Albert Museum 1993. Plate 43.
Collection
Accession number
T.145-1972

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Record createdNovember 27, 2003
Record URL
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