Candlestick
ca. 1547-1559 (made)
Artist/Maker | |
Place of origin |
Historical significance: The light-coloured clay of Saint-Porchaire produced a uniquely pale and desirable ceramic. However, the chemical composition of the clay rendered it extremely vulnerable during firing, which resulted in the need for small-scale decoration. Such labour-intensive and exquisite work was available only to the most wealthy patrons. Although a certain amount of mystery surrounds the origin of these pieces, it is thought they would have had a market in only the most noble and courtly circles; an association confirmed by the armorial device of Henri II on this candlestick.
This elaborate candlestick is one of about seventy surviving pieces in a mannerist style characteristic of French court fashion around 1550. The way in which they combine different components in several tiers is more typical of contemporaneous metalwork and architectural design than of pottery.
By 1842 these pieces were described as "faïence de Henri II" because the emblems of the French king and his wife, Catherine de' Medici, together with those, as was then thought, of his mistress Diane de Poitiers, appear on more than one example. Because of its presumed royal connection, its style, its technical complexity, and its rarity, Saint-Porchaire ware became the type of ceramic most sought after by collectors, along with so-called Medici porcelain.
This elaborate candlestick is one of about seventy surviving pieces in a mannerist style characteristic of French court fashion around 1550. The way in which they combine different components in several tiers is more typical of contemporaneous metalwork and architectural design than of pottery.
By 1842 these pieces were described as "faïence de Henri II" because the emblems of the French king and his wife, Catherine de' Medici, together with those, as was then thought, of his mistress Diane de Poitiers, appear on more than one example. Because of its presumed royal connection, its style, its technical complexity, and its rarity, Saint-Porchaire ware became the type of ceramic most sought after by collectors, along with so-called Medici porcelain.
Object details
Categories | |
Object type | |
Materials and techniques | Lead-glazed earthenware; techniques include throwing, hand modelling, moulding, stamping, incising and inlay work |
Brief description | Candlestick, lead-glazed earthenware with tiered decorations, French, Saint-Porchaire or possilbly Paris, ca.1550. |
Physical description | Elaborate candlestick of lead-glazed earthenware on a wide base and composed of several tiers; decorations of the cypher of King Henry II, the arms of France, figures and patterns coloured in red, green and blue against a light background. |
Dimensions |
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Object history | Bought for the Museum by John Webb for 750 l. Collection Benjamin-Eugène Norzy, Paris, sold 12-13 February 1864 Acquired by Mr. Norzy from collection of Mme de La Sayette. Sale, Catalogue d'objets d'art et de curiosités... composant la collection de feu Mme de La Sayette, ... / Roussel 1860 Vente 1860-04-28. Paris, lot 1., (Annotated version of the catalogue in the Bibliotheque Nationale in Paris gives the price of 18,300 francs. From the collection of Mme. de la Sayette of Poitiers (who purchased it in that city ca. 1845). |
Historical context | The rare and enigmatic group of ceramics known as 'Saint-Porchaire' is distinguished by the uncommon lightness of its clay body and their elaborate decoration. The Mannerist ornament of ceramic objects, such as these, can be related to contemporary metalwork designs and architectural fantasies. |
Subjects depicted | |
Summary | Historical significance: The light-coloured clay of Saint-Porchaire produced a uniquely pale and desirable ceramic. However, the chemical composition of the clay rendered it extremely vulnerable during firing, which resulted in the need for small-scale decoration. Such labour-intensive and exquisite work was available only to the most wealthy patrons. Although a certain amount of mystery surrounds the origin of these pieces, it is thought they would have had a market in only the most noble and courtly circles; an association confirmed by the armorial device of Henri II on this candlestick. This elaborate candlestick is one of about seventy surviving pieces in a mannerist style characteristic of French court fashion around 1550. The way in which they combine different components in several tiers is more typical of contemporaneous metalwork and architectural design than of pottery. By 1842 these pieces were described as "faïence de Henri II" because the emblems of the French king and his wife, Catherine de' Medici, together with those, as was then thought, of his mistress Diane de Poitiers, appear on more than one example. Because of its presumed royal connection, its style, its technical complexity, and its rarity, Saint-Porchaire ware became the type of ceramic most sought after by collectors, along with so-called Medici porcelain. |
Bibliographic references |
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Collection | |
Accession number | 261-1864 |
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Record created | November 25, 2003 |
Record URL |
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