Dish thumbnail 1
Dish thumbnail 2
Image of Gallery in South Kensington
On display at V&A South Kensington
Islamic Middle East, Room 42, The Jameel Gallery

Dish

ca. 1590 (made)
Artist/Maker
Place of origin

The patterns on Iznik ceramics often combine Islamic and Chinese motifs. On this dish, the arabesques are Islamic, while the background has a wave scroll inspired by Chinese models. The rim is decorated with a version of the Chinese rock and wave design.

The small town of Iznik in north-west Anatolia has given its name to some of the most accomplished ceramics produced in the Islamic Middle East. In the mid 15th century, potters there specialised in modest earthenware imitations of Chinese blue-and-white porcelain. But in the 1460s or 1470s, under the patronage of Sultan Mehmet the Conqueror, they began to manufacture bowls, dishes and other pieces of fritware. These were elegant in shape and decoration and often very large.

The Ottoman court renewed its patronage of Iznik ceramics during the construction of the Süleymaniye mosque in Istanbul in 1550 to 1557. The first Iznik tiles were produced, and potters added a bright red to the range of colours painted under the glaze. This was achieved with a slip made from a special clay.

In the following decades, tiles of high quality were decorated in red, green and tones of blue on a white ground. Dishes, bottles and other vessels had similar decoration on white or coloured grounds.


Object details

Categories
Object type
Materials and techniques
Fritware, polychrome underglaze painted, glazed
Brief description
Dish with finial-shaped motif against ground of spirals, Turkey (probably Iznik), ca. 1590.
Physical description
Dish with finial-shaped motif against ground of spirals.
Dimensions
  • Height: 5.7cm
  • Diameter: 17.6cm
Styles
Gallery label
  • Jameel Gallery 12–15 Dishes and Jugs with Paint and Red Slip Turkey, probably Iznik 1580–1600 The patterns often combine Islamic and Chinese elements. The arabesques (12–14) are Islamic, while the S-shaped clouds (15) are Chinese in origin. On the two dishes the background has a wave scroll inspired by Chinese models, and the rims have versions of the Chinese rock and wave design. Fritware painted under the glaze Museum nos. 1141-1864, C.2016-1910, Bequest of George Salting; 1708-1855; C.1993-1910, Bequest of George Salting (Jameel Gallery)
  • DISH White earthenware painted in underglaze colours. TURKISH (IZNIK); second half of the 16th century. Salting Bequest(Old label)
Credit line
Salting Bequest
Historical context
Iznik potters of the late 1570s and 1580s liked to fill the backgrounds of their ceramic designs with motifs like fish-scales or, as here, tightly rolled spirals, possibly inspired by earlier attempts to emulate Chinese wave-forms. This piece has a central motif that may be a stylized finial.
Subjects depicted
Summary
The patterns on Iznik ceramics often combine Islamic and Chinese motifs. On this dish, the arabesques are Islamic, while the background has a wave scroll inspired by Chinese models. The rim is decorated with a version of the Chinese rock and wave design.

The small town of Iznik in north-west Anatolia has given its name to some of the most accomplished ceramics produced in the Islamic Middle East. In the mid 15th century, potters there specialised in modest earthenware imitations of Chinese blue-and-white porcelain. But in the 1460s or 1470s, under the patronage of Sultan Mehmet the Conqueror, they began to manufacture bowls, dishes and other pieces of fritware. These were elegant in shape and decoration and often very large.

The Ottoman court renewed its patronage of Iznik ceramics during the construction of the Süleymaniye mosque in Istanbul in 1550 to 1557. The first Iznik tiles were produced, and potters added a bright red to the range of colours painted under the glaze. This was achieved with a slip made from a special clay.

In the following decades, tiles of high quality were decorated in red, green and tones of blue on a white ground. Dishes, bottles and other vessels had similar decoration on white or coloured grounds.
Bibliographic references
  • Lane, Arthur. Later Islamic Pottery. London: Faber and Faber, 1957. 133p., ill. Pages 56, 57, 60, plate 47A
  • Nurhan Atasoy and Julian Raby, Iznik: The Pottery of Ottoman Turkey (London: Alexandria Press, 1989), fig. 499, p. 248.
Collection
Accession number
C.2016-1910

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Record createdNovember 18, 2003
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