Coat
summer 1929 (made)
Artist/Maker | |
Place of origin |
This knee-length afternoon coat, designed by Jeanne Lanvin, is made of black silk chiffon, to which squares of black wool crepe have been applied arranged in a radial pattern from the yoke, increasing in size towards the hem. The binding cuffs and double band collar are of the same material. The coat is cut with a slight flare from shoulder to hem and there is no fastening. The sleeves are long, slightly full and tapering to the wrist.
This coat is a significant example of the meeting between fashion and modernity: the geometrical forms, assembled according to the 'collage' technique, refer to the strong influence of abstract art on fashion during the 1920s. Black became an increasingly fashionable colour for elegant evening wear and was popularised by Coco Chanel in the mid-1920s.
This coat is a significant example of the meeting between fashion and modernity: the geometrical forms, assembled according to the 'collage' technique, refer to the strong influence of abstract art on fashion during the 1920s. Black became an increasingly fashionable colour for elegant evening wear and was popularised by Coco Chanel in the mid-1920s.
Object details
Categories | |
Object type | |
Materials and techniques | Black crêpe and silk chiffon |
Brief description | Knee-length afternoon coat of black silk chiffon |
Physical description | Knee-length afternoon coat of black silk chiffon to which are applied squares of black wool crepe ararnged in a radial pattern from the yoke, and getting larger towards the hem. The binding cuffs and double band collar are of the same material. The coat is cut with a slight flare from shoulder to hem and there is no fastening. The sleeves are long slightly full and tapering to the wrist. |
Dimensions |
|
Production type | Haute couture |
Marks and inscriptions |
|
Credit line | Given by Mrs I. Godlewska de Aranda |
Object history | Registered File number 1963/88 |
Summary | This knee-length afternoon coat, designed by Jeanne Lanvin, is made of black silk chiffon, to which squares of black wool crepe have been applied arranged in a radial pattern from the yoke, increasing in size towards the hem. The binding cuffs and double band collar are of the same material. The coat is cut with a slight flare from shoulder to hem and there is no fastening. The sleeves are long, slightly full and tapering to the wrist. This coat is a significant example of the meeting between fashion and modernity: the geometrical forms, assembled according to the 'collage' technique, refer to the strong influence of abstract art on fashion during the 1920s. Black became an increasingly fashionable colour for elegant evening wear and was popularised by Coco Chanel in the mid-1920s. |
Collection | |
Accession number | T.29-1963 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | November 13, 2003 |
Record URL |
Download as: JSONIIIF Manifest