Dish thumbnail 1
Dish thumbnail 2
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Image of Gallery in South Kensington
On display at V&A South Kensington
Islamic Middle East, Room 42, The Jameel Gallery

Dish

ca. 1585-1590 (made)
Artist/Maker
Place of origin

The composition of a peahen in foliage on this bowl appears on several pieces of Iznik pottery from the 1580s. The great saz leaves hark back to the style of the 1540s and 1550s. But the running colours and generally coarse execution indicate that this is a much later work, probably around 1580.

The town of Iznik, in north-west Anatolia, was known as a centre of ceramic production. The Ottoman court renewed its patronage of Iznik ceramics during the construction of the Süleymaniye mosque in Istanbul in 1550-1557. The first Iznik tiles were produced, and potters added a bright red was added to the range of colours painted under the glaze. This was achieved with a slip made from a special clay.

In the following decades, tiles of high quality were decorated in red, green and tones of blue on a white ground. Dishes, bottles and other vessels had similar decoration on white or coloured grounds.


Object details

Categories
Object type
Materials and techniques
Fritware, polychrome underglaze painted, glazed
Brief description
Narrow-rimmed dish with a bird, Turkey (probably Iznik), ca. 1585-1590.
Physical description
Shallow dish with a sketchily drawn bird among saz motifs.
Dimensions
  • Diameter: 30.2cm
  • Height: 3.9cm
Styles
Gallery label
  • Jameel Gallery Variety of Shape and Design The shapes of Iznik vessels were derived from sources as varied as metalwork (9–11), leatherwork (14) and Chinese and Italian ceramics. Models included the Chinese ‘grape dish’ (2) and the Italian tondino form (15). By the 1530s, small sprays of tulips and other recognisable flowers were a common motif (9, 10, 15), but from the 1550s these were replaced by compositions on a larger scale. Many were originally developed for tilework (1, 3). 5 Dish with Bird Turkey, probably Iznik 1585-90 Fritware painted under the glaze Museum no. C.2005-1910 Bequest of George Salting(Jameel Gallery)
  • DISH White earthenware painted in underglaze colours. TURKISH (IZNIK); second half of 16th century. Salting Bequest(used until 03/2004)
Credit line
Salting Bequest
Subjects depicted
Summary
The composition of a peahen in foliage on this bowl appears on several pieces of Iznik pottery from the 1580s. The great saz leaves hark back to the style of the 1540s and 1550s. But the running colours and generally coarse execution indicate that this is a much later work, probably around 1580.

The town of Iznik, in north-west Anatolia, was known as a centre of ceramic production. The Ottoman court renewed its patronage of Iznik ceramics during the construction of the Süleymaniye mosque in Istanbul in 1550-1557. The first Iznik tiles were produced, and potters added a bright red was added to the range of colours painted under the glaze. This was achieved with a slip made from a special clay.

In the following decades, tiles of high quality were decorated in red, green and tones of blue on a white ground. Dishes, bottles and other vessels had similar decoration on white or coloured grounds.
Bibliographic references
  • Atil, Esin, The Age of Sultan Süleyman the Magnificent. Catalogue of the Exhibition held at The National Gallery of Art, Washington, 25th Jan - 17th May, 1987; The Art Institute of Chicago, 14th June - 7th Sept., 1987; The Metropolitan Museum of Art, New York, 4th Oct - 17th Jan., 1988. Washington: The National Gallery of Art and New York: Harry N. Abrams, Inc, 1987. ISBN 0-89468-098-6 (paper), 0-8109-1855-2 (cloth). Plate 192, p. 322, illustration p. 267.
  • Christie's. Old Dresden Porcelain. London, 9 February 1899. No. 91
  • Rackham, Bernard. "Turkish Pottery" In: Transactions of the Oriental Ceramics Society, 1934/5, pp.35-48. Pl. 20a
  • Erdmann, Kurt. "Neue Arbeiten zur türkischen Keramik" In: Ars Orientalis , 5, 1963, pp 191-219. Fig. 45
  • Süslü, Özden. "Le Motif du paon dans la céramique ottoman du XVIe siècle" In: IVème Congrès International d'Art Turc, 237-247. Aix-en-Provence, 1976. Fig. 4
  • Denny, Walter, B. "Turkish Ceramics and Turkish Painting: The Role of the Paper Cartoon in Turkish Ceramic Production." In: Essays in Islamic Art and Architecture, edited by Abbas Daneshvari, 29-36. Malibu, 1981. Fig. 6
  • Burlington Fine Arts Club. Faience of Persia and the Nearer East London, 1907. No. 3
  • Nurhan Atasoy and Julian Raby, Iznik: The Pottery of Ottoman Turkey (London: Alexandria Press, 1989), fig. 534, p. 255.
Collection
Accession number
C.2005-1910

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Record createdNovember 7, 2003
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