This piece of Irish needle lace is unfinished. The left edge is still attached to a strip of the parchment on which the lacemaker was constructing it. The lace was worked at the Convent of the Poor Clares in Kenmare to a design by Miss Julyan of the Dublin School of Art.

Lacemaking was set up in Ireland in the mid 19th century as a cottage industry. The aim was to help the population, who were suffering from the famine caused by the failure of the potato crop. In 1852, nuns established the Youghal lace school, which became well-known for its needle lace. Lacemaking went through periods of success and decline. In the 1880s, Alan Cole of the Department of Science and Art set up a committee to help revitalise it. There were design classes in lacemaking centres, prizes, new lacemaking schools and commissions for important patrons, including Queen Victoria. The main centres were all based around convents at Youghal, Kenmare, New Ross and Inishmacsaint. Alan Cole collected this piece during one of his annual tours of Ireland to report on progress and encourage further endeavours.